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March 01, 2010
FOCUS ON ADVOCACY: Building Parental Support For Music Education
February 01, 2010
Advocacy for Arts Education Begins at Home
January 01, 2010
A Case for Middle School Arts
December 01, 2009
FOCUS ON ADVOCACY: When Is A Loss A Loss?
November 01, 2009
FOCUS ON ADVOCACY: Solid Advocacy Groundwork Saves Two School Music Programs in Nevada School District
October 01, 2009
FOCUS ON ADVOCACY: Three-Step Action Plan to Make ‘Music Education For All Students’ a Goal in Your School District
September 01, 2009
FOCUS ON COALITION-BUILDING: Back-to-School Inspiration: Elementary String Program Saved!
August 01, 2009
FOCUS ON STUDENTS: Award-winning Student Essays Highlight the Unifying Powers of Music
July 02, 2009
FOCUS ON STUDENTS: Music Education Advocacy for the Digital Generation
June 01, 2009
FOCUS ON ADVOCACY: Keeping Your Momentum, Even in Troubled Times
May 01, 2009
FOCUS ON ADVOCACY: Are YOU Ready to Write a Letter in Support of Music Education?
April 01, 2009
FOCUS ON STUDENTS: Research Study Links Music Making and Music Education with Improved Academic Performance
March 01, 2009
FOCUS ON ADVOCACY: Moving from Survival to Vision
February 02, 2009
FOCUS ON ADVOCACY: NOW MORE THAN EVER…
January 05, 2009
FOCUS ON ADVOCACY: Develop an Annual Report Featuring Your Music Education Program
December 01, 2008
ADVOCACY IN TIMES OF FISCAL CRISIS: Your Local Music Coalition
November 01, 2008
FOCUS ON STUDENTS: Research Study Indicates Teenagers’ Strong Commitment to Music & Music Making
October 01, 2008
FOCUS ON ADVOCACY: The Purpose of Arts Education
August 01, 2008
MUSIC ADVOCACY: Singing Through the Dark Times
July 01, 2008
FOCUS ON STUDENTS: Students Express Why Music is Important to Their Complete Education
June 01, 2008
Reflections on Advocacy as the SupportMusic Coalition Celebrates Five Years
May 01, 2008
FOCUS ON BUDGET: Reverse Economics – Developing a Fiscal Case for Your Music Program (Part 2 of 2)
April 02, 2008
FOCUS ON BUDGET: Reverse Economics - Developing a Fiscal Case for Your Music Program (Part 1 of 2)
March 01, 2008
Focus on Issues & Decision-making: Educational Reform Movements - Tax Vouchers and Their Impact on Music Education Programs
February 01, 2008
ARTS ADVOCACY LESSONS FROM THE 2008 IOWA PRESIDENTIAL CAUCUS: #1 Take-Away ñ Let the Candidates Hear From You!
January 03, 2008
FOCUS ON STUDENTS: NJ Arts Education Census Project Offers Model for Other States
December 01, 2007
FOCUS ON COALITION BUILDING: Advocate for Music Education
October 30, 2007
FOCUS ON ISSUES & DECISION MAKING: Music Education Research 101, Part II
September 17, 2007
FOCUS ON ISSUES & DECISION MAKING: Music Education Research 101, Part 1
August 07, 2007
FOCUS ON ISSUES AND DECISIONMAKING: Do Your Elected Officials View Music Education as a National Priority?
July 13, 2007
FOCUS ON COALITION BUILDING: American Symphony Orchestra League Launches Historic Statement of Common Cause to Support In-School Music Education
June 03, 2007
FOCUS ON STUDENTS: Music & Arts Education is Essential to Development of Creative Economy & 21st Century Skills
June 03, 2007
FOCUS ON STUDENTS: Music & Arts Education is Essential to Development of Creative Economy & 21st Century Skills
May 03, 2007
FOCUS ON COALITION BUILDING: Think Globally, Act Locally ñ and Why Reading This is NOT an Advocacy Action
March 21, 2007
FOFCUS ON BUDGET: FTE and the Staffing Ratio, Part 2 ñ The Music Teacher
February 21, 2007
FOCUS ON COALITION BUILDING: From Anytown, USA to Washington, DC . . . All Music Advocacy Is Local
January 17, 2007
FOCUS ON COALITION BUILDING: How to Create School Board Support for Music Programs
January 07, 2007
FOCUS ON COALITION BUILDING: How to Create School Board Support for Music Programs
December 15, 2006
FOCUS ON STUDENTS: Why Music Technology Enhances Student Success
November 16, 2006
FOCUS ON COALITION BUILDING: These Parents Made A Difference ñ You Can Too!
October 18, 2006
FOCUS ON STUDENTS: The Study Hall Game
September 27, 2006
FOCUS ON ISSUES & DECISION MAKING: The Music Administrator, Part 2 of 2
September 20, 2006
FOCUS ON ISSUES & DECISION MAKING: The Music Administrator, Part 1 of 2
September 08, 2006
Back-To-School Primer: The Local Music Coalition
August 30, 2006
Focus on Budget: FTE ñ A Case Study on Teacher Seniority & The Fallacy of Average
August 24, 2006
Focus on Issues & Decision Making:Educational Reform Movements: Middle Schools, Part 3 of 3
August 15, 2006
Focus on Issues & Decision Making:Educational Reform Movements: Middle Schools, Part 2 of 3
August 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Middle Schools, Part 1 of 3
August 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Middle Schools, Part 1 of 3
August 01, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Trimester System and Year-Round Schools
July 18, 2006
NEWS FLASH!! CA Advocates Secure Historic Funding for Arts Education
June 30, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 10 of a series Decision Time!
June 22, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 9 of a series Three Perspectives on Block Scheduling
June 18, 2006
NEWS FLASH!! CA Advocates Secure Historic Funding for Arts Education
June 13, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 8 of a series Two Options for Four-Period Block Scheduling
June 06, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 7 of a series Block Scheduling and the Music Student
May 30, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 6 of a series Rotating Schedules
May 18, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 5 of a series Two Options for 7-Period Scheduling
May 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 4 of a series Scheduling Myths & the Grades 9-10 "Bottleneck"
April 27, 2006
Focus on Issues & Decision Making: Educational Reform movement: Part 3 of a series Scheduling & The Traditional Six-Day Period
April 19, 2006
Focus on Issues & Decision Making: Educational Reform: Part 2 of a series Scheduling
April 12, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 1 of a series An Overview & Some Advice
April 04, 2006
FOCUS ON BUDGET: Actual FTE Value & Individual Student Load
March 27, 2006
PUBLIC OPINION SURVEYS: A Slippery Slope
March 15, 2006
Music Advocacy 101: Do YOU Have "The Right Stuff"?
March 01, 2006
Focus on Issues & Decision Making: Who Really Calls The Shots?
February 16, 2006
Focus on Budget: FTE and The Danger of Using Averages
February 07, 2006
Focus on Budget: Identifying Potential & "Hidden" Music Budget Cuts
January 24, 2006
Focus on Issues & Decision Making: Music - Curricular, Co-curricular or Extra-curricular?
January 10, 2006
Focus on Budget: FTE and the Staffing Ratio
January 04, 2006
Focus on Students: Advocacy and the Music Student
December 27, 2005
Focus on Budget: How to Develop & Use Impact Statements
December 20, 2005
FOCUS ON ISSUES & DECISION-MAKING: Central and Site-based Management
December 05, 2005
Focus on Budget: How "Average" FTE Value Creates Budget Problems
November 28, 2005
Focus on Coalition Building: The Public School Music Participation Survey
November 21, 2005
Focus on Coalition Building: 8 Strategic Errors in Music Advocacy & How to Correct Them
November 14, 2005
Focus on Issues & Decision Making: Is My Music Program Vulnerable to Cuts?
November 07, 2005
Focus on Budget: FTE & Staffing
October 31, 2005
FOCUS ON STUDENTS: Putting Students First
October 10, 2005
Decision Making: The Politics of Process
October 04, 2005
SCHOOL BUDGET PRIMER: UNDERSTANDING "FTE"
September 09, 2005
Back-To-School Primer: Creating a Local Music Coalition
August 12, 2005
The Public School Music Participation Survey
August 01, 2005
The Right Stuff?
July 19, 2005
Advocacy and the Music Student
June 29, 2005
The Danger of Public Opinion Surveys
June 22, 2005
Music: Curricular, Co-curricular, or Extra-curricular? (Part II)
June 16, 2005
Music: Curricular, Co-curricular, or Extra-curricular? (Part I)
June 09, 2005
Developing Impact Statements
May 25, 2005
News Flash: The Crisis in Minnesota
May 12, 2005
Identifying Potential Music Cuts-Part II: "Hidden" Cuts
May 12, 2005
Identifying Potential Music Cuts-Part II: "Hidden" Cuts
April 25, 2005
March 23, 2005
March 23, 2005
Decisions: Adult or Student-centered?
March 23, 2005
Decisions: Adult or Student-centered?
February 23, 2005
Case Study: "Block Schedule ? The Perils"
February 16, 2005
Educational Reform
February 09, 2005
The Public Survey Trap
February 02, 2005
Strategic Errors in Music Advocacy
January 27, 2005
Uncovering the Mystery of the School Budget: Glossary
January 19, 2005
A Glossary of Terms for the Music Advocate: The Art of "Educese."
December 28, 2004
Decision Making: The Politics of Process
December 22, 2004
Decision Makers: Who's really calling the shots?
December 15, 2004
Is My Music Program Vulnerable to Cuts?
December 08, 2004
What is the Single Most Important Isssue in Music Advocacy? YOU!
December 01, 2004
MUSIC ADVOCACY: Caring Enough to Put the Student First

December 27, 2005


Focus on Budget: How to Develop & Use Impact Statements

One of the greatest and most common mistakes advocates make in attempting to save music programs is suggesting cuts or compromises to preserve "preferred" parts of a music program. Based on my experience, offering these suggestions is one of the primary reasons that music programs are vulnerable to cuts. 

The Negative Power of Suggestion

Here’s the basic scenario: Often an administrator who assumes music cuts may be needed will contact a specific teacher, music supervisor, or music booster and pose a question such as, "What cut(s) will do the least damage to the music program?" If anyone suggests a possibility, it will be cut. The administration and board are then cleared of any blame or responsibility, and the public is told cuts were based on suggestions from the music people.

I refer to this administrative strategy as "divide and conquer."

Though saving “preferred” parts of the music program may be tempting bait, do not fall into this trap! It is the job of the administration and board to balance the budget. It is your responsibility as an advocate to clearly show the negative impacts of any proposed cuts to the music program.

The Value of Impact Statements

Simply put, impact statements define the short and long-term results of any administrative proposal(s) to cut music. Some purposes for developing impact statements include the following:

1.    To keep the issue of how student opportunities in music may be negatively impacted in front of the administration, school board, and particularly the public.
2.    To demonstrate any incorrect assumptions made by the administration related to music cuts, particularly regarding economic viability.

3.    To demonstrate to the public the potential fiscal and curricular misconceptions or problems with the administrative proposal as related to proposed music cuts.

Build Successful Impact Statements on Accurate Info & Research

The impact statements you develop will vary, and depend upon the information you extract from documents provided by the administration and board. In developing impact statements it is important to make sure all of your information is accurate! Do not make assumptions, do not guess at statistics, and document everything (time, place, source, etc.). As you’re building your case and interpreting the data collected, please refer to the articles in my multi-part series on <<Full Time Equivalency: FTE>> for additional help.

Usually you will formulate a response that completes a statement. For example, "If the district adopts its proposal to eliminate 4.0 positions in instrumental music, it will have the following impact(s)." Impacts normally fall into one (or more) of four categories. Each is listed below with sample impact statements based on a proposed elimination of 4.0 instrumental music teachers. [Note: These statements are all minimal. You will soon see that additional research must be done to develop strong, relevant and more complete impact statements for each specific situation.]

Faculty Impacts:

*    The cuts proposed by the administration will reduce the instrumental music staff by 50%.
*    The elimination of 50% of the instrumental music staff will make it impossible to provide music instruction at all schools in the district. (Specify which schools will lose their programs.)

Curricular Impacts:

*    Instrumental music will not be offered as an option for students until grade 7.
*    Individual and small group lessons will not be staffed.
*    All beginners will be placed together in large classes in a single class, regardless of the diversity of instruments and skill levels present.

Student Participation Impacts:

*    Attrition rates will increase due to lack of satisfactory progress and supervision on student achievement.
*    There may be legal challenges from the community related to equal access.
*    Based on national case studies, the loss of the elementary instrumental music curriculum will result in a 65% reduction of instrumental music students in the higher grades.

Economic Impacts:

*    The average (secondary) instrumental music teacher carries a student load equivalent to 1.2 classroom teachers.
*    The district will need to replace each music teacher eliminated with a minimum of 1.2 classroom teachers unless class sizes are significantly increased.
*    In the long-term, losing the cost benefit of large music performance classes (e.g., band) will cancel out any cost savings anticipated by the district. It will also prevent many students in the district from possibly participating in instrumental music.
 
As you study any proposals made by your administration, you will be able to develop many similar impact statements based upon the uniqueness of your situation. The more effective you are in developing statements that directly relate to the administrative proposal(s) and their negative impact on students and the budget, the more effective you will be in advancing your case.

Remember: A "cut" is any decision made that will negatively impact the ability of any student to participate in making music.

RULE #1

NO CUTS OR COMPROMISES SHOULD BE SUGGESTED BY ANY MEMBER OF THE COMMUNITY, INCLUDING THE MUSIC COALITION, MUSIC EDUCATORS, OR THE MUSIC SUPERVISOR!

Until Next Time,
John Benham



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Take 6

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