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May 01, 2008
FOCUS ON BUDGET: Reverse Economics – Developing a Fiscal Case for Your Music Program (Part 2 of 2)
April 02, 2008
FOCUS ON BUDGET: Reverse Economics - Developing a Fiscal Case for Your Music Program (Part 1 of 2)
March 01, 2008
Focus on Issues & Decision-making: Educational Reform Movements - Tax Vouchers and Their Impact on Music Education Programs
February 01, 2008
ARTS ADVOCACY LESSONS FROM THE 2008 IOWA PRESIDENTIAL CAUCUS: #1 Take-Away ñ Let the Candidates Hear From You!
January 03, 2008
FOCUS ON STUDENTS: NJ Arts Education Census Project Offers Model for Other States
December 01, 2007
FOCUS ON COALITION BUILDING: Advocate for Music Education
October 30, 2007
FOCUS ON ISSUES & DECISION MAKING: Music Education Research 101, Part II
September 17, 2007
FOCUS ON ISSUES & DECISION MAKING: Music Education Research 101, Part 1
August 07, 2007
FOCUS ON ISSUES AND DECISIONMAKING: Do Your Elected Officials View Music Education as a National Priority?
July 13, 2007
FOCUS ON COALITION BUILDING: American Symphony Orchestra League Launches Historic Statement of Common Cause to Support In-School Music Education
June 03, 2007
FOCUS ON STUDENTS: Music & Arts Education is Essential to Development of Creative Economy & 21st Century Skills
June 03, 2007
FOCUS ON STUDENTS: Music & Arts Education is Essential to Development of Creative Economy & 21st Century Skills
May 03, 2007
FOCUS ON COALITION BUILDING: Think Globally, Act Locally ñ and Why Reading This is NOT an Advocacy Action
March 21, 2007
FOFCUS ON BUDGET: FTE and the Staffing Ratio, Part 2 ñ The Music Teacher
February 21, 2007
FOCUS ON COALITION BUILDING: From Anytown, USA to Washington, DC . . . All Music Advocacy Is Local
January 17, 2007
FOCUS ON COALITION BUILDING: How to Create School Board Support for Music Programs
December 15, 2006
FOCUS ON STUDENTS: Why Music Technology Enhances Student Success
November 16, 2006
FOCUS ON COALITION BUILDING: These Parents Made A Difference ñ You Can Too!
October 18, 2006
FOCUS ON STUDENTS: The Study Hall Game
September 27, 2006
FOCUS ON ISSUES & DECISION MAKING: The Music Administrator, Part 2 of 2
September 20, 2006
FOCUS ON ISSUES & DECISION MAKING: The Music Administrator, Part 1 of 2
September 08, 2006
Back-To-School Primer: The Local Music Coalition
August 30, 2006
Focus on Budget: FTE ñ A Case Study on Teacher Seniority & The Fallacy of Average
August 24, 2006
Focus on Issues & Decision Making:Educational Reform Movements: Middle Schools, Part 3 of 3
August 15, 2006
Focus on Issues & Decision Making:Educational Reform Movements: Middle Schools, Part 2 of 3
August 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Middle Schools, Part 1 of 3
August 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Middle Schools, Part 1 of 3
August 01, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Trimester System and Year-Round Schools
July 18, 2006
NEWS FLASH!! CA Advocates Secure Historic Funding for Arts Education
June 30, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 10 of a series Decision Time!
June 22, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 9 of a series Three Perspectives on Block Scheduling
June 13, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 8 of a series Two Options for Four-Period Block Scheduling
June 06, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 7 of a series Block Scheduling and the Music Student
May 30, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 6 of a series Rotating Schedules
May 18, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 5 of a series Two Options for 7-Period Scheduling
May 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 4 of a series Scheduling Myths & the Grades 9-10 "Bottleneck"
April 27, 2006
Focus on Issues & Decision Making: Educational Reform movement: Part 3 of a series Scheduling & The Traditional Six-Day Period
April 19, 2006
Focus on Issues & Decision Making: Educational Reform: Part 2 of a series Scheduling
April 12, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 1 of a series An Overview & Some Advice
April 04, 2006
FOCUS ON BUDGET: Actual FTE Value & Individual Student Load
March 27, 2006
PUBLIC OPINION SURVEYS: A Slippery Slope
March 15, 2006
Music Advocacy 101: Do YOU Have "The Right Stuff"?
March 01, 2006
Focus on Issues & Decision Making: Who Really Calls The Shots?
February 16, 2006
Focus on Budget: FTE and The Danger of Using Averages
February 07, 2006
Focus on Budget: Identifying Potential & "Hidden" Music Budget Cuts
January 24, 2006
Focus on Issues & Decision Making: Music - Curricular, Co-curricular or Extra-curricular?
January 10, 2006
Focus on Budget: FTE and the Staffing Ratio
January 04, 2006
Focus on Students: Advocacy and the Music Student
December 27, 2005
Focus on Budget: How to Develop & Use Impact Statements
December 20, 2005
FOCUS ON ISSUES & DECISION-MAKING: Central and Site-based Management
December 05, 2005
Focus on Budget: How "Average" FTE Value Creates Budget Problems
November 28, 2005
Focus on Coalition Building: The Public School Music Participation Survey
November 21, 2005
Focus on Coalition Building: 8 Strategic Errors in Music Advocacy & How to Correct Them
November 14, 2005
Focus on Issues & Decision Making: Is My Music Program Vulnerable to Cuts?
November 07, 2005
Focus on Budget: FTE & Staffing
October 31, 2005
FOCUS ON STUDENTS: Putting Students First
October 10, 2005
Decision Making: The Politics of Process
October 04, 2005
SCHOOL BUDGET PRIMER: UNDERSTANDING "FTE"
March 23, 2005
Decisions: Adult or Student-centered?
March 23, 2005
Decisions: Adult or Student-centered?


January 5, 2006

Focus on Students: Advocacy and the Music Student

Under the right circumstances, music students may play an extremely critical role in creating, maintaining and energizing support for local music programs. After all, they speak from a very personal musical perspective: they are the ones who are most directly impacted when school music programs are cut or eliminated.

Students Join the Fight to Save Their Music Programs

How can students take effective action? Here are a few examples of the power and potential of creative student advocacy.

Scenario #1: The board had scheduled a meeting to decide the fate of the music program. A number of cuts had already been proposed by the administration. The auditorium was filled to standing-room-only capacity; no one was ever able to count the number of people outside. A high school student stepped forward to "speak" on the open microphone. He followed protocol: "My name is _________. I have nothing to say. I just brought my trumpet and would like to play 'Taps' for the music program." His musical performance was the most moving and effective "speech" of the evening.

Scenario #2: In another district, the music program was targeted for complete elimination. Several high school students had the idea to obtain a legal parade permit. In cooperation with the local radio station, they arranged to have Sousa marches played for the duration of the parade. Down Main Street they marched, in full uniform…no instruments…only boom boxes! The message was very clear.

Scenario #3: In a third district, the elementary band program was in jeopardy. As people filed into the school auditorium for the board meeting, the entire high school marching band performed on stage. As people took their seats, band members gradually left the stage leaving only a remnant of the former group. The demonstration effectively portrayed the potential demise of the high school program, a direct result of eliminating the elementary feeder program.

The Power of Creative Action – and Silence

Student advocates have used many other creative means to convey the importance of music programs and dramatically illustrate what would happen if funding were cut. Keep in mind that any presentations at board meetings should be brief. Select only one or two speakers. Write out any presentations and rehearse them. Make sure musical performances are top-notch. Avoid repetition and overkill, and remember the power of silence as you create your presentations.

Here are a few more examples of effective actions that music students can easily take:
*    Playing outdoor and/or indoor concerts before board meetings;
*    Attending board meetings in uniform, but remaining silent;
*    Presenting petitions and/or brief accompanying speeches;
*    Suggesting music advocacy as an assignment for political science classes.

A NOTE OF CAUTION: DANGER AHEAD!

Student groups should only take action after careful consideration. While you are planning your actions, imagine worst-case scenarios and negative results, as well as your intended successes: even the best-laid plans may backfire. You certainly don’t want to alienate people or establish revenge cycles that place your program in annual jeopardy.

Some additional words of warning and advice:

*    NO MUSIC TEACHERS OR PARENTS SHOULD BE RESPONSIBLE FOR INSTIGATING STUDENT ACTIONS. Aside from the fact that teachers risk being reprimanded or dismissed, using adults as spokespeople undermines the credibility of the student action.
*    Students should seek adult counsel to make sure that actions they want to take are legal.
*    No actions should embarrass or attack any individuals or a specific group.
*    Don't get into a contest that pits music programs against athletics programs. This can have the extremely detrimental effect of incorrectly categorizing music as an extra-curricular activity.
*    Make sure your actions are age-appropriate for the students involved.

Finally, from my personal perspective, one of the most effective, long-term and empowering actions that students can easily take is to bring their parent(s) with them to school board meetings! 

Until Next Time,
John Benham
 





Organizations:

Artists:

Scott Brady

Nathan East

The Goo Goo Dolls

Lorin Hollander

Bob James

Carolyn Dawn Johnson

Harvey Mason

Bob McGrath

Chris Pierce

Nate Sallie

Take 6

Will Turpin of Collective Soul


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