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February 01, 2010
Advocacy for Arts Education Begins at Home
January 01, 2010
A Case for Middle School Arts
December 01, 2009
FOCUS ON ADVOCACY: When Is A Loss A Loss?
November 01, 2009
FOCUS ON ADVOCACY: Solid Advocacy Groundwork Saves Two School Music Programs in Nevada School District
October 01, 2009
FOCUS ON ADVOCACY: Three-Step Action Plan to Make ‘Music Education For All Students’ a Goal in Your School District
September 01, 2009
FOCUS ON COALITION-BUILDING: Back-to-School Inspiration: Elementary String Program Saved!
August 01, 2009
FOCUS ON STUDENTS: Award-winning Student Essays Highlight the Unifying Powers of Music
July 02, 2009
FOCUS ON STUDENTS: Music Education Advocacy for the Digital Generation
June 01, 2009
FOCUS ON ADVOCACY: Keeping Your Momentum, Even in Troubled Times
May 01, 2009
FOCUS ON ADVOCACY: Are YOU Ready to Write a Letter in Support of Music Education?
April 01, 2009
FOCUS ON STUDENTS: Research Study Links Music Making and Music Education with Improved Academic Performance
March 01, 2009
FOCUS ON ADVOCACY: Moving from Survival to Vision
February 02, 2009
FOCUS ON ADVOCACY: NOW MORE THAN EVER…
January 05, 2009
FOCUS ON ADVOCACY: Develop an Annual Report Featuring Your Music Education Program
December 01, 2008
ADVOCACY IN TIMES OF FISCAL CRISIS: Your Local Music Coalition
November 01, 2008
FOCUS ON STUDENTS: Research Study Indicates Teenagers’ Strong Commitment to Music & Music Making
October 01, 2008
FOCUS ON ADVOCACY: The Purpose of Arts Education
August 01, 2008
MUSIC ADVOCACY: Singing Through the Dark Times
July 01, 2008
FOCUS ON STUDENTS: Students Express Why Music is Important to Their Complete Education
June 01, 2008
Reflections on Advocacy as the SupportMusic Coalition Celebrates Five Years
May 01, 2008
FOCUS ON BUDGET: Reverse Economics – Developing a Fiscal Case for Your Music Program (Part 2 of 2)
April 02, 2008
FOCUS ON BUDGET: Reverse Economics - Developing a Fiscal Case for Your Music Program (Part 1 of 2)
March 01, 2008
Focus on Issues & Decision-making: Educational Reform Movements - Tax Vouchers and Their Impact on Music Education Programs
February 01, 2008
ARTS ADVOCACY LESSONS FROM THE 2008 IOWA PRESIDENTIAL CAUCUS: #1 Take-Away ñ Let the Candidates Hear From You!
January 03, 2008
FOCUS ON STUDENTS: NJ Arts Education Census Project Offers Model for Other States
December 01, 2007
FOCUS ON COALITION BUILDING: Advocate for Music Education
October 30, 2007
FOCUS ON ISSUES & DECISION MAKING: Music Education Research 101, Part II
September 17, 2007
FOCUS ON ISSUES & DECISION MAKING: Music Education Research 101, Part 1
August 07, 2007
FOCUS ON ISSUES AND DECISIONMAKING: Do Your Elected Officials View Music Education as a National Priority?
July 13, 2007
FOCUS ON COALITION BUILDING: American Symphony Orchestra League Launches Historic Statement of Common Cause to Support In-School Music Education
June 03, 2007
FOCUS ON STUDENTS: Music & Arts Education is Essential to Development of Creative Economy & 21st Century Skills
June 03, 2007
FOCUS ON STUDENTS: Music & Arts Education is Essential to Development of Creative Economy & 21st Century Skills
May 03, 2007
FOCUS ON COALITION BUILDING: Think Globally, Act Locally ñ and Why Reading This is NOT an Advocacy Action
March 21, 2007
FOFCUS ON BUDGET: FTE and the Staffing Ratio, Part 2 ñ The Music Teacher
February 21, 2007
FOCUS ON COALITION BUILDING: From Anytown, USA to Washington, DC . . . All Music Advocacy Is Local
January 17, 2007
FOCUS ON COALITION BUILDING: How to Create School Board Support for Music Programs
January 07, 2007
FOCUS ON COALITION BUILDING: How to Create School Board Support for Music Programs
December 15, 2006
FOCUS ON STUDENTS: Why Music Technology Enhances Student Success
November 16, 2006
FOCUS ON COALITION BUILDING: These Parents Made A Difference ñ You Can Too!
October 18, 2006
FOCUS ON STUDENTS: The Study Hall Game
September 27, 2006
FOCUS ON ISSUES & DECISION MAKING: The Music Administrator, Part 2 of 2
September 20, 2006
FOCUS ON ISSUES & DECISION MAKING: The Music Administrator, Part 1 of 2
September 08, 2006
Back-To-School Primer: The Local Music Coalition
August 30, 2006
Focus on Budget: FTE ñ A Case Study on Teacher Seniority & The Fallacy of Average
August 24, 2006
Focus on Issues & Decision Making:Educational Reform Movements: Middle Schools, Part 3 of 3
August 15, 2006
Focus on Issues & Decision Making:Educational Reform Movements: Middle Schools, Part 2 of 3
August 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Middle Schools, Part 1 of 3
August 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Middle Schools, Part 1 of 3
August 01, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Trimester System and Year-Round Schools
July 18, 2006
NEWS FLASH!! CA Advocates Secure Historic Funding for Arts Education
June 30, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 10 of a series Decision Time!
June 22, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 9 of a series Three Perspectives on Block Scheduling
June 18, 2006
NEWS FLASH!! CA Advocates Secure Historic Funding for Arts Education
June 13, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 8 of a series Two Options for Four-Period Block Scheduling
June 06, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 7 of a series Block Scheduling and the Music Student
May 30, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 6 of a series Rotating Schedules
May 18, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 5 of a series Two Options for 7-Period Scheduling
May 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 4 of a series Scheduling Myths & the Grades 9-10 "Bottleneck"
April 27, 2006
Focus on Issues & Decision Making: Educational Reform movement: Part 3 of a series Scheduling & The Traditional Six-Day Period
April 19, 2006
Focus on Issues & Decision Making: Educational Reform: Part 2 of a series Scheduling
April 12, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 1 of a series An Overview & Some Advice
April 04, 2006
FOCUS ON BUDGET: Actual FTE Value & Individual Student Load
March 27, 2006
PUBLIC OPINION SURVEYS: A Slippery Slope
March 15, 2006
Music Advocacy 101: Do YOU Have "The Right Stuff"?
March 01, 2006
Focus on Issues & Decision Making: Who Really Calls The Shots?
February 16, 2006
Focus on Budget: FTE and The Danger of Using Averages
February 07, 2006
Focus on Budget: Identifying Potential & "Hidden" Music Budget Cuts
January 24, 2006
Focus on Issues & Decision Making: Music - Curricular, Co-curricular or Extra-curricular?
January 10, 2006
Focus on Budget: FTE and the Staffing Ratio
January 04, 2006
Focus on Students: Advocacy and the Music Student
December 27, 2005
Focus on Budget: How to Develop & Use Impact Statements
December 20, 2005
FOCUS ON ISSUES & DECISION-MAKING: Central and Site-based Management
December 05, 2005
Focus on Budget: How "Average" FTE Value Creates Budget Problems
November 28, 2005
Focus on Coalition Building: The Public School Music Participation Survey
November 21, 2005
Focus on Coalition Building: 8 Strategic Errors in Music Advocacy & How to Correct Them
November 14, 2005
Focus on Issues & Decision Making: Is My Music Program Vulnerable to Cuts?
November 07, 2005
Focus on Budget: FTE & Staffing
October 31, 2005
FOCUS ON STUDENTS: Putting Students First
October 10, 2005
Decision Making: The Politics of Process
October 04, 2005
SCHOOL BUDGET PRIMER: UNDERSTANDING "FTE"
September 09, 2005
Back-To-School Primer: Creating a Local Music Coalition
August 12, 2005
The Public School Music Participation Survey
August 01, 2005
The Right Stuff?
July 19, 2005
Advocacy and the Music Student
June 29, 2005
The Danger of Public Opinion Surveys
June 22, 2005
Music: Curricular, Co-curricular, or Extra-curricular? (Part II)
June 16, 2005
Music: Curricular, Co-curricular, or Extra-curricular? (Part I)
June 09, 2005
Developing Impact Statements
May 25, 2005
News Flash: The Crisis in Minnesota
May 12, 2005
Identifying Potential Music Cuts-Part II: "Hidden" Cuts
May 12, 2005
Identifying Potential Music Cuts-Part II: "Hidden" Cuts
April 25, 2005
March 23, 2005
March 23, 2005
Decisions: Adult or Student-centered?
March 23, 2005
Decisions: Adult or Student-centered?
February 23, 2005
Case Study: "Block Schedule ? The Perils"
February 16, 2005
Educational Reform
February 09, 2005
The Public Survey Trap
February 02, 2005
Strategic Errors in Music Advocacy
January 27, 2005
Uncovering the Mystery of the School Budget: Glossary
January 19, 2005
A Glossary of Terms for the Music Advocate: The Art of "Educese."
December 28, 2004
Decision Making: The Politics of Process
December 22, 2004
Decision Makers: Who's really calling the shots?
December 15, 2004
Is My Music Program Vulnerable to Cuts?
December 08, 2004
What is the Single Most Important Isssue in Music Advocacy? YOU!
December 01, 2004
MUSIC ADVOCACY: Caring Enough to Put the Student First


January 10, 2006

Focus on Budget: FTE and the Staffing Ratio

If you’ve read my earlier CounterPoint articles in this series on Full Time Equivalent (FTE), you’re now ready to apply what you’ve learned on a more detailed level. This article will show you how your district uses the staffing ratio to set annual budgets.

Your school district uses several related financial values – FTE, Student-Faculty Ratio (SFR) and Pupil-Staffing Ratio (PSR) – to establish the number of students assigned to each classroom teacher. As you might already guess, these calculations form the basis of many important budget decisions that directly affect the strength of your school’s music curriculum.

What is the Staffing Ratio & How is it Used?

The staffing ratio is based on the relationship between two basic figures – the number of Pupil Units (PU) and the number of FTE staff positions (teaching and non-teaching). The staffing ratio is used to determine the amount of funding available for hiring (or retaining or cutting) staff.

The Pupil Unit (PU) is the equivalent of one full time student (or 1.0 FTE PU). Your district defines Pupil Units by calculating the number of courses taken (per day, week or year). It’s important to understand that the PU number is not necessarily the same as the number of students in a grade, classroom or school. For example, if kindergarten students attend school for only one-half of each day, each student is the equivalent of .5 PU.

If there is a staffing ratio of 28:1 at your school, your local school will receive a budgetary allocation equivalent to the average cost of 1.0 FTE staff position for every 28 Pupil Units.

How the Staffing Ratio is Established

You can quickly see, then, that changes in enrollment may have a direct affect on the number of teachers employed in each school. Other factors also affect the total budget for staff, including whether FTE positions are exclusively for teachers, or whether they include non-teaching staff as well.

The staffing ratio is established by your school district’s central administration and approved by the school board. Once defined, the staffing ratio offers guidance to each school’s site administrator (or principal) regarding how funds may be allocated for staff and teaching positions. <<See my previous article on Central vs. Site-Based Management for more information about the various levels of administrative responsibility.>>

The staffing ratio provided to your local school is based upon your school board’s particular definition of Student-Faculty Ratio (SFR) or Pupil-Staffing Ratio (PSR).

Generally speaking, the SFR is the average number of students for each teacher. It is calculated by simply dividing the number of Pupil Units by the number of teachers. Some districts may also include non-teaching staff, such as guidance counselors, in the SFR.

The PSR is used to determine overall staffing needs based on the number of pupils in the district. This ratio is the number of students per each 1.0 FTE position (and, may at the discretion of the school board, include all staff as defined by the district).

Since the salaries of administrators, teachers, clerical and other staff may vary widely, districts often assign different “average” values to the 1.0 FTE in each of the various categories of staffing during budgetary planning sessions.

Local Discretionary Decisions May Affect the Staffing Ratio, Too

The staffing ratio directly relates to class size, of course, but it is primarily used by the various levels of administration to determine the amount of funding available for staff hires. Unless specifically defined by the school district, site administrators normally have autonomous discretion in the expenditure of funds designated for staffing. In other words, the extent to which a principal chooses to use staffing funds for non-teaching positions will proportionately increase the "average" class size, and decrease the number of teaching positions.


The staffing ratio may be consistently used throughout all of your school district, or it may be individually calculated by grade or curricular area. For example, the staffing ratio may vary according to grade level as determined by district philosophy:

Grades: Staffing Ratios:

Grades K-3: 24:1 (1.0 Staff FTE per 24 PUs)
Grades 4-6: 25:1 (1.0 Staff FTE per 25 PUs)
Grades 7-9: 26:1 (1.0 Staff FTE per 26 PUs)
Grades 10-12: 26.5:1 (1.0 Staff FTE per 26.5 PUs)

If we assume in the example above that the average 1.0 Staff FTE equals $50,000, and that there are 1,000 students in grades 4-6, we can assume that the site administrator will receive funding equal to 40 FTE, or $2,000,000 as shown below.

1. The staffing ratio in grades 4-6 is 25:1.

2. 1,000 total students divided by the PU figure of 25 results in 40 FTE.

3. 40 FTE times the average FTE value of $50,000 equals a budget allocation of $2,000,000.

4. The site administrator then hires staff according to needs as determined autonomously, by district guidelines, or in collaboration with other staff, teachers, and/or the community.

The Staffing Ratio’s Special Impact on Music Teachers

Music teachers may – or, in some cases, may not be - a part of these staffing formula. Here are some important cautions and considerations:

1. Elementary general music teachers are often excluded from the staffing formula. This is because they may be interpreted as a part of the central administrative budget for providing preparatory time for classroom teachers, or assigned to multiple schools. If this is the case in your school district, this budget item should be considered part of the elementary staffing formula, not part of the music budget.

2. Elementary instrumental music teachers or other itinerants (i.e, teachers with multiple school assignments) are often excluded from the staffing formula. This may happen when management of their salary line items fall under the central (vs. site) administration and may be based upon the size of the school population.

3. Secondary music teachers are normally part of the staffing formula unless they have multiple school assignments.

4. Staffing FTE provided for person(s) serving as chair, coordinator or supervisor of the music curriculum may or may not be funded with the staffing formula.

District Financial Status & Ratio Point

Finally, one more crucial aspect of the staffing ratio must be considered: the overall financial health of your school district. The staffing ratio may be altered – in some cases quite significantly – by increasing costs and reductions in available funding. One indicator that the staffing ratio may be altered (either by new hires or staffing reductions) is use of this key phrase: “changes in class size.”

Remember, school administrators use the staffing ratio to determine the amount of funding available for new staff hires.

If the ratio of Pupil Units to Full Time Equivalent teachers in Grades 4-6 above is changed from 25:1 (1.0 Staff FTE per 25 PUs) to 26:1 (1.0 Staff FTE per 26 PUs), several financial changes occur:

1. The site administrator will have a reduction in funding.

2. The site administrator will assign only 1.0 FTE for each 26 students, and will therefore have approximately 38 FTE (a reduction of 2.0 FTE).

3. The site administrator will then have to make staffing cuts in either teaching or non-teaching positions – or both - to recover the deficit.

Changes to the staffing ratio are expressed in the form of a ratio point and assigned a financial value by the district. The cost of a ratio point is the financial value associated with changing the Pupil Unit (PU) in the ratio formula by 1.0 PU.

Once again, you can see how crucial it is that music advocates remain well informed and active throughout the entire school budget development process. Armed with accurate information and a solid working knowledge of how staffing ratios are used to establish the budget for music programs, advocates can have a positive impact on strengthening and protecting music participation for all students.

Until Next Time,
John Benham



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