WWW WWW.SUPPORTMUSIC.COM

Download the NEW SupportMusic Glossary

May 01, 2008
FOCUS ON BUDGET: Reverse Economics – Developing a Fiscal Case for Your Music Program (Part 2 of 2)
April 02, 2008
FOCUS ON BUDGET: Reverse Economics - Developing a Fiscal Case for Your Music Program (Part 1 of 2)
March 01, 2008
Focus on Issues & Decision-making: Educational Reform Movements - Tax Vouchers and Their Impact on Music Education Programs
February 01, 2008
ARTS ADVOCACY LESSONS FROM THE 2008 IOWA PRESIDENTIAL CAUCUS: #1 Take-Away ñ Let the Candidates Hear From You!
January 03, 2008
FOCUS ON STUDENTS: NJ Arts Education Census Project Offers Model for Other States
December 01, 2007
FOCUS ON COALITION BUILDING: Advocate for Music Education
October 30, 2007
FOCUS ON ISSUES & DECISION MAKING: Music Education Research 101, Part II
September 17, 2007
FOCUS ON ISSUES & DECISION MAKING: Music Education Research 101, Part 1
August 07, 2007
FOCUS ON ISSUES AND DECISIONMAKING: Do Your Elected Officials View Music Education as a National Priority?
July 13, 2007
FOCUS ON COALITION BUILDING: American Symphony Orchestra League Launches Historic Statement of Common Cause to Support In-School Music Education
June 03, 2007
FOCUS ON STUDENTS: Music & Arts Education is Essential to Development of Creative Economy & 21st Century Skills
June 03, 2007
FOCUS ON STUDENTS: Music & Arts Education is Essential to Development of Creative Economy & 21st Century Skills
May 03, 2007
FOCUS ON COALITION BUILDING: Think Globally, Act Locally ñ and Why Reading This is NOT an Advocacy Action
March 21, 2007
FOFCUS ON BUDGET: FTE and the Staffing Ratio, Part 2 ñ The Music Teacher
February 21, 2007
FOCUS ON COALITION BUILDING: From Anytown, USA to Washington, DC . . . All Music Advocacy Is Local
January 17, 2007
FOCUS ON COALITION BUILDING: How to Create School Board Support for Music Programs
December 15, 2006
FOCUS ON STUDENTS: Why Music Technology Enhances Student Success
November 16, 2006
FOCUS ON COALITION BUILDING: These Parents Made A Difference ñ You Can Too!
October 18, 2006
FOCUS ON STUDENTS: The Study Hall Game
September 27, 2006
FOCUS ON ISSUES & DECISION MAKING: The Music Administrator, Part 2 of 2
September 20, 2006
FOCUS ON ISSUES & DECISION MAKING: The Music Administrator, Part 1 of 2
September 08, 2006
Back-To-School Primer: The Local Music Coalition
August 30, 2006
Focus on Budget: FTE ñ A Case Study on Teacher Seniority & The Fallacy of Average
August 24, 2006
Focus on Issues & Decision Making:Educational Reform Movements: Middle Schools, Part 3 of 3
August 15, 2006
Focus on Issues & Decision Making:Educational Reform Movements: Middle Schools, Part 2 of 3
August 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Middle Schools, Part 1 of 3
August 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Middle Schools, Part 1 of 3
August 01, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Trimester System and Year-Round Schools
July 18, 2006
NEWS FLASH!! CA Advocates Secure Historic Funding for Arts Education
June 30, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 10 of a series Decision Time!
June 22, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 9 of a series Three Perspectives on Block Scheduling
June 13, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 8 of a series Two Options for Four-Period Block Scheduling
June 06, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 7 of a series Block Scheduling and the Music Student
May 30, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 6 of a series Rotating Schedules
May 18, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 5 of a series Two Options for 7-Period Scheduling
May 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 4 of a series Scheduling Myths & the Grades 9-10 "Bottleneck"
April 27, 2006
Focus on Issues & Decision Making: Educational Reform movement: Part 3 of a series Scheduling & The Traditional Six-Day Period
April 19, 2006
Focus on Issues & Decision Making: Educational Reform: Part 2 of a series Scheduling
April 12, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 1 of a series An Overview & Some Advice
April 04, 2006
FOCUS ON BUDGET: Actual FTE Value & Individual Student Load
March 27, 2006
PUBLIC OPINION SURVEYS: A Slippery Slope
March 15, 2006
Music Advocacy 101: Do YOU Have "The Right Stuff"?
March 01, 2006
Focus on Issues & Decision Making: Who Really Calls The Shots?
February 16, 2006
Focus on Budget: FTE and The Danger of Using Averages
February 07, 2006
Focus on Budget: Identifying Potential & "Hidden" Music Budget Cuts
January 24, 2006
Focus on Issues & Decision Making: Music - Curricular, Co-curricular or Extra-curricular?
January 10, 2006
Focus on Budget: FTE and the Staffing Ratio
January 04, 2006
Focus on Students: Advocacy and the Music Student
December 27, 2005
Focus on Budget: How to Develop & Use Impact Statements
December 20, 2005
FOCUS ON ISSUES & DECISION-MAKING: Central and Site-based Management
December 05, 2005
Focus on Budget: How "Average" FTE Value Creates Budget Problems
November 28, 2005
Focus on Coalition Building: The Public School Music Participation Survey
November 21, 2005
Focus on Coalition Building: 8 Strategic Errors in Music Advocacy & How to Correct Them
November 14, 2005
Focus on Issues & Decision Making: Is My Music Program Vulnerable to Cuts?
November 07, 2005
Focus on Budget: FTE & Staffing
October 31, 2005
FOCUS ON STUDENTS: Putting Students First
October 10, 2005
Decision Making: The Politics of Process
October 04, 2005
SCHOOL BUDGET PRIMER: UNDERSTANDING "FTE"
March 23, 2005
Decisions: Adult or Student-centered?
March 23, 2005
Decisions: Adult or Student-centered?


February 16, 2006


Focus on Budget: FTE and The Danger of Using Averages

This article is the fifth in our series on <<Full Time Equivalency (FTE)>> and how your administration uses it to build your school district’s budget. I’ll explain what averages are, why administrators sometimes use them, and, most importantly, how misleading – and even fiscally dangerous - it can be to rely on them.

I have come to believe the concept of “average” places a school district in greater financial jeopardy than any other. The reason? Averages, as an economist friend of mine likes to say, “are theoretical numbers that don’t exist in reality. Statisticians use them to reduce a large amount of information to a single number, one that means much less than they presume.”

Or, to put it another way - the average daily high temperature in Minneapolis is 45 degrees. As any Minnesotan will tell you, this “average” temperature means very little in the month of January (when it’s often much colder), or in July (when, thankfully, it’s much warmer than that).

Then, Why Do School Administrators Use Averages?

It’s difficult to fault a local school administration or board for using averages during the standard budgetary process. Your district establishes several “average” figures to help calculate their annual costs. Administrators often, in fact, use several averages, applied to various line items or broad budgetary categories, because averages can be a useful estimating tool help calculate costs. The danger lies in using them without crunching them up against actual hard numbers.

School districts tend to over-rely on averages for a couple of reasons, even though using averages goes against many basic principles of accounting or good business management. First of all, the typical district is far understaffed. This means it’s difficult, if not nearly impossible, to allocate precious staff time to calculate such detailed information as the FTE value of each program or teacher. As you know, calculations of FTE value are based on research and careful data collection and then, that raw information must be analyzed to create a realistic picture of your district’s budgetary needs and assets. This takes a fair amount of staff (or board finance committee) time and a commitment to accuracy. Many districts are not able – or willing – to allocate their resources to this task.

The second – and far more damaging - reason why school districts rely on averages is that educational systems tend to be driven by the philosophies and opinions of the decision makers. Using this approach is the opposite of making sound decisions by examining and evaluating the financial/accounting realities.

Averages Don’t Make Good Business – or Educational - Sense

Can you imagine any business assuming that all its salespeople earn the same average salary and produce the same average amount of sales? Or can you imagine any business cutting the lowest seniority sales staff - regardless of the productivity level or financial value of that individual?

If the average business used such a process, it would soon be bankrupt.
   
When a school district is in financial crisis, its educational philosophy is often very clearly exposed. For example, if administrators assume all teachers have the same “average” cost (or salary), they may propose cuts in curricular areas they see as educationally least important. Using a system based on average financial calculations ignores the cost benefit of specific programs.

When cuts are based on educational philosophy or opinions (or even just simply “gut feelings”) about which curricular areas are most or least important – or when the elimination of teachers is based on seniority (usually required by contract or law) – this type of decision making ignores the value of maintaining those programs.

Averages Don’t Solve Problems – They Create Them!

Using averages ignores the fact that the teachers with the highest FTE value are often those with the lowest salaries and/or the highest students loads. Music Performance teachers fall into this category.

When administrators or school board members rely on “averages” to structure their budget process, they often create financially problematic scenarios such as these:
   
  •  If the district eliminates a music performance position or program with a high FTE value, they must compensate by increasing class sizes by a greater amount than if they eliminated a position or program with lesser FTE value.
  •  If the district eliminates a music position or program (or any part of a program), that causes a reduction in student enrollment in those programs with the highest FTE value. The district will then need to hire additional classroom teachers with lower FTE values to replace these high FTE value teachers.
  • If the district eliminates teachers with lower seniority, they will be eliminating positions with lower FTE value. Therefore, additional positions will need to be cut to equal the anticipated budgetary savings projected by using the "average" FTE value.
   
Districts innately understand this, of course. But, in the presence of a financial crisis, decision makers may be swayed by proposals to cut programs and staff because they appear to make sense or be easier - on the surface. That is, they may decide to go with their “gut feelings” about which programs have a higher value as a curricular entity instead of taking the time to analyze carefully the financial impact of their proposed cuts.

What Can You Do to Counteract the Use of Averages?

The use of averages points out yet another reason why music advocates need to be involved in the budgetary process. As well-informed advocates – advocates who understand how to calculate FTE values and also know how to develop and present Impact Statements detailing the damaging effects of proposed cuts – we have the opportunity (and the responsibility) to insist that decisions are NOT based on “averages.” And, we need the hard, concrete data to support our proposals – and to show decision makers why it’s not a good idea to rely on averages.

As you present your reasons why averages are damaging to the music program, you must clearly demonstrate the fiscal viability of the music program – using Impact Statements based on accurate research and calculations that include a clear analysis of the FTE value of teachers and programs. You must show there’s absolutely nothing “average” about your music program – using dollars, cents AND business sense!

Until Next Time,
   
John L. Benham
   





Organizations:

Artists:

Scott Brady

Nathan East

The Goo Goo Dolls

Lorin Hollander

Bob James

Carolyn Dawn Johnson

Harvey Mason

Bob McGrath

Chris Pierce

Nate Sallie

Take 6

Will Turpin of Collective Soul


Contact Us