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May 01, 2008
FOCUS ON BUDGET: Reverse Economics – Developing a Fiscal Case for Your Music Program (Part 2 of 2)
April 02, 2008
FOCUS ON BUDGET: Reverse Economics - Developing a Fiscal Case for Your Music Program (Part 1 of 2)
March 01, 2008
Focus on Issues & Decision-making: Educational Reform Movements - Tax Vouchers and Their Impact on Music Education Programs
February 01, 2008
ARTS ADVOCACY LESSONS FROM THE 2008 IOWA PRESIDENTIAL CAUCUS: #1 Take-Away ñ Let the Candidates Hear From You!
January 03, 2008
FOCUS ON STUDENTS: NJ Arts Education Census Project Offers Model for Other States
December 01, 2007
FOCUS ON COALITION BUILDING: Advocate for Music Education
October 30, 2007
FOCUS ON ISSUES & DECISION MAKING: Music Education Research 101, Part II
September 17, 2007
FOCUS ON ISSUES & DECISION MAKING: Music Education Research 101, Part 1
August 07, 2007
FOCUS ON ISSUES AND DECISIONMAKING: Do Your Elected Officials View Music Education as a National Priority?
July 13, 2007
FOCUS ON COALITION BUILDING: American Symphony Orchestra League Launches Historic Statement of Common Cause to Support In-School Music Education
June 03, 2007
FOCUS ON STUDENTS: Music & Arts Education is Essential to Development of Creative Economy & 21st Century Skills
June 03, 2007
FOCUS ON STUDENTS: Music & Arts Education is Essential to Development of Creative Economy & 21st Century Skills
May 03, 2007
FOCUS ON COALITION BUILDING: Think Globally, Act Locally ñ and Why Reading This is NOT an Advocacy Action
March 21, 2007
FOFCUS ON BUDGET: FTE and the Staffing Ratio, Part 2 ñ The Music Teacher
February 21, 2007
FOCUS ON COALITION BUILDING: From Anytown, USA to Washington, DC . . . All Music Advocacy Is Local
January 17, 2007
FOCUS ON COALITION BUILDING: How to Create School Board Support for Music Programs
December 15, 2006
FOCUS ON STUDENTS: Why Music Technology Enhances Student Success
November 16, 2006
FOCUS ON COALITION BUILDING: These Parents Made A Difference ñ You Can Too!
October 18, 2006
FOCUS ON STUDENTS: The Study Hall Game
September 27, 2006
FOCUS ON ISSUES & DECISION MAKING: The Music Administrator, Part 2 of 2
September 20, 2006
FOCUS ON ISSUES & DECISION MAKING: The Music Administrator, Part 1 of 2
September 08, 2006
Back-To-School Primer: The Local Music Coalition
August 30, 2006
Focus on Budget: FTE ñ A Case Study on Teacher Seniority & The Fallacy of Average
August 24, 2006
Focus on Issues & Decision Making:Educational Reform Movements: Middle Schools, Part 3 of 3
August 15, 2006
Focus on Issues & Decision Making:Educational Reform Movements: Middle Schools, Part 2 of 3
August 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Middle Schools, Part 1 of 3
August 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Middle Schools, Part 1 of 3
August 01, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Trimester System and Year-Round Schools
July 18, 2006
NEWS FLASH!! CA Advocates Secure Historic Funding for Arts Education
June 30, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 10 of a series Decision Time!
June 22, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 9 of a series Three Perspectives on Block Scheduling
June 13, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 8 of a series Two Options for Four-Period Block Scheduling
June 06, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 7 of a series Block Scheduling and the Music Student
May 30, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 6 of a series Rotating Schedules
May 18, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 5 of a series Two Options for 7-Period Scheduling
May 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 4 of a series Scheduling Myths & the Grades 9-10 "Bottleneck"
April 27, 2006
Focus on Issues & Decision Making: Educational Reform movement: Part 3 of a series Scheduling & The Traditional Six-Day Period
April 19, 2006
Focus on Issues & Decision Making: Educational Reform: Part 2 of a series Scheduling
April 12, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 1 of a series An Overview & Some Advice
April 04, 2006
FOCUS ON BUDGET: Actual FTE Value & Individual Student Load
March 27, 2006
PUBLIC OPINION SURVEYS: A Slippery Slope
March 15, 2006
Music Advocacy 101: Do YOU Have "The Right Stuff"?
March 01, 2006
Focus on Issues & Decision Making: Who Really Calls The Shots?
February 16, 2006
Focus on Budget: FTE and The Danger of Using Averages
February 07, 2006
Focus on Budget: Identifying Potential & "Hidden" Music Budget Cuts
January 24, 2006
Focus on Issues & Decision Making: Music - Curricular, Co-curricular or Extra-curricular?
January 10, 2006
Focus on Budget: FTE and the Staffing Ratio
January 04, 2006
Focus on Students: Advocacy and the Music Student
December 27, 2005
Focus on Budget: How to Develop & Use Impact Statements
December 20, 2005
FOCUS ON ISSUES & DECISION-MAKING: Central and Site-based Management
December 05, 2005
Focus on Budget: How "Average" FTE Value Creates Budget Problems
November 28, 2005
Focus on Coalition Building: The Public School Music Participation Survey
November 21, 2005
Focus on Coalition Building: 8 Strategic Errors in Music Advocacy & How to Correct Them
November 14, 2005
Focus on Issues & Decision Making: Is My Music Program Vulnerable to Cuts?
November 07, 2005
Focus on Budget: FTE & Staffing
October 31, 2005
FOCUS ON STUDENTS: Putting Students First
October 10, 2005
Decision Making: The Politics of Process
October 04, 2005
SCHOOL BUDGET PRIMER: UNDERSTANDING "FTE"
March 23, 2005
Decisions: Adult or Student-centered?
March 23, 2005
Decisions: Adult or Student-centered?


March 27, 2006

PUBLIC OPINION SURVEYS: A Slippery Slope

When facing any difficult financial crisis, school board members and administrators may feel a survey is a good measure of community opinion about educational values. They think that using surveys is a good way to inform people about the seriousness of the situation.

However, since community participation is voluntary – and the validity of results will vary depending on public awareness of the survey, trust in the administration, and the content, design and delivery of the survey – surveys may, in fact, jeopardize music programs. Here’s why – along with some suggestions to help your district avoid falling into “The Public Survey Trap.”

Why Do Administrators Use Surveys?

Surveys are used for many reasons, and not all of them are above-board. Besides informing the public about a financial crisis, the possibility of closing/merging schools in the district, or the need to raise taxes, surveys may also be used to:

    • Establish a basis for a levy referendum to increase school funding;
    • Inform (or sometimes threaten) the public about probable cuts if school funding is not increased;
    • Gauge what community members value most/least so cuts will create the least negative reaction.

Surveys are normally distributed to district residents in one or more of the following ways: regular mail (with or without return envelopes); email or downloadable forms (obviously, only to those with Internet access); internal school mail (school employees only); random telephone interviews; and distribution at local PTA or committee meetings, among others.

Do you begin to see how access and convenience plays a major role in validity of results?

Common Survey Pitfalls

Statisticians, marketers and researchers are well aware of the problems associated with improperly conducted surveys. When surveys are not done properly, results can be skewed, non-informative or, worse, invalid.

Consider the following dangerous scenarios:

    • Improper formatting can create a desired response;
    • Poor wording or unclear definitions can create inaccurate results;
    • Improperly conducted surveys can reveal the bias or philosophy of the researcher;
    • Attitudes of the researcher may also be revealed by omission or by lack of solicitation of broader community input;
    • Location of music categories or programs on the survey can reflect administrative philosophy (ie, music is, or should be, “extra-curricular”);
    • Music may be listed as a simple line item title from a budget, perhaps using terms or categories not understood by survey participants;
     • Surveys may reveal a lack of knowledge about the financial viability of music as a curricular entity;
    • Lack of participation by the community may not be apparent until a complete, impartial analysis of the results is conducted.

The primary danger of poorly designed or improperly conducted surveys, however, is that they may still be interpreted as a public mandate – to make cuts in music programs, for example – even if community participation levels are low. If the necessary funding level is not achieved, or if a levy referendum fails to pass, citing survey results can be extremely dangerous for music and the arts.

One Case Study Illustrates Several Problems with Using Surveys

Background: This district of 11-12,000 students was facing an $8 million deficit. If a levy referendum failed to pass, 150 of the 750 teachers would be eliminated. A public opinion survey was sent to 60,000 residences that included all staff and employees. The survey listed 200 programs (9 of which were music) for possible elimination. Respondents were asked to assign the following rankings to each program:

Category A: Programs most important to retain
Category B: Cut these programs first
Category C: Save these programs if you can

Preliminary Results: The voters rejected the levy referendum (probably because the teachers' union was negotiating for at 16% pay increase) and the district interpreted this as a “voter mandate” to make cuts based on survey results. The administration proposed – and the board approved – a 70% reduction in orchestra staff and a 48% reduction in band staff. Among other negative results, this would have caused the elimination of the entire elementary instrumental curriculum.

The Parents Committee Takes Action: Advocates discovered only 211 surveys (out of 60,000) had been completed and returned to the district. This low response rate rendered survey results invalid and no one in the district bothered to collate actual results. However, the parents did and this is what they found:

Music Programs (9 out of 200 programs listed in survey)

Category Rank as

(A) Most Important to Retain (out of 200

Percentile Rank as

(A) Most Important to Retain
Music: Secondary Schools37
82
Summer School Music38
81
Music:Elementary
50
75
Music: Co-curricular, JHS62
69
Music: Co-curricular, SHS65
68
Elementary Instrumental Music71
65
Music Curriculum80
60
Music Instrument repair88
56
District String Program110
45
   

The Real Analysis: Those who responded to the survey viewed music as equal in importance to other curricular and co-curricular subjects. Music was out-ranked only by the traditional “three R’s” and federal/state mandated programs. Music actually out-ranked all (non-music) extra-curricular activities as “most important to retain.” The administration had completely discounted the survey results EXCEPT to use the survey to justify the recommendation they had pre-planned to make throughout the entire process.

I am pleased to tell you that the community music coalition united to confront the district on their faulty interpretation of the survey results and the negative impacts their recommendations would have to the music program and the entire educational system. No components of the music curriculum were eliminated, and all teaching positions in music were retained.

What Should Advocates Do When Facing a Public Survey?

1) Do everything you can to keep the music curriculum off the list of potential or suggested cuts – and make sure music is not listed as co-curricular or extra-curricular;
2) Make sure music is not placed in direct competition with or above athletics, for example, giving the possible impression that cuts should be made in music first;
3) If a survey is to be used, make sure it is developed and/or reviewed by an independent researcher or survey expert before distribution and, in the case of telephone surveys, consider using a professional to conduct the interviews;
4) Make sure surveys are widely distributed and available in both downloadable (online) and printed (mailed) formats;
5) Once the survey process is complete, make sure an independent analysis of results is conducted;
6) Publish the results for community information.

Until next time,

John Benham







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