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May 01, 2008
FOCUS ON BUDGET: Reverse Economics – Developing a Fiscal Case for Your Music Program (Part 2 of 2)
April 02, 2008
FOCUS ON BUDGET: Reverse Economics - Developing a Fiscal Case for Your Music Program (Part 1 of 2)
March 01, 2008
Focus on Issues & Decision-making: Educational Reform Movements - Tax Vouchers and Their Impact on Music Education Programs
February 01, 2008
ARTS ADVOCACY LESSONS FROM THE 2008 IOWA PRESIDENTIAL CAUCUS: #1 Take-Away ñ Let the Candidates Hear From You!
January 03, 2008
FOCUS ON STUDENTS: NJ Arts Education Census Project Offers Model for Other States
December 01, 2007
FOCUS ON COALITION BUILDING: Advocate for Music Education
October 30, 2007
FOCUS ON ISSUES & DECISION MAKING: Music Education Research 101, Part II
September 17, 2007
FOCUS ON ISSUES & DECISION MAKING: Music Education Research 101, Part 1
August 07, 2007
FOCUS ON ISSUES AND DECISIONMAKING: Do Your Elected Officials View Music Education as a National Priority?
July 13, 2007
FOCUS ON COALITION BUILDING: American Symphony Orchestra League Launches Historic Statement of Common Cause to Support In-School Music Education
June 03, 2007
FOCUS ON STUDENTS: Music & Arts Education is Essential to Development of Creative Economy & 21st Century Skills
June 03, 2007
FOCUS ON STUDENTS: Music & Arts Education is Essential to Development of Creative Economy & 21st Century Skills
May 03, 2007
FOCUS ON COALITION BUILDING: Think Globally, Act Locally ñ and Why Reading This is NOT an Advocacy Action
March 21, 2007
FOFCUS ON BUDGET: FTE and the Staffing Ratio, Part 2 ñ The Music Teacher
February 21, 2007
FOCUS ON COALITION BUILDING: From Anytown, USA to Washington, DC . . . All Music Advocacy Is Local
January 17, 2007
FOCUS ON COALITION BUILDING: How to Create School Board Support for Music Programs
December 15, 2006
FOCUS ON STUDENTS: Why Music Technology Enhances Student Success
November 16, 2006
FOCUS ON COALITION BUILDING: These Parents Made A Difference ñ You Can Too!
October 18, 2006
FOCUS ON STUDENTS: The Study Hall Game
September 27, 2006
FOCUS ON ISSUES & DECISION MAKING: The Music Administrator, Part 2 of 2
September 20, 2006
FOCUS ON ISSUES & DECISION MAKING: The Music Administrator, Part 1 of 2
September 08, 2006
Back-To-School Primer: The Local Music Coalition
August 30, 2006
Focus on Budget: FTE ñ A Case Study on Teacher Seniority & The Fallacy of Average
August 24, 2006
Focus on Issues & Decision Making:Educational Reform Movements: Middle Schools, Part 3 of 3
August 15, 2006
Focus on Issues & Decision Making:Educational Reform Movements: Middle Schools, Part 2 of 3
August 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Middle Schools, Part 1 of 3
August 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Middle Schools, Part 1 of 3
August 01, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Trimester System and Year-Round Schools
July 18, 2006
NEWS FLASH!! CA Advocates Secure Historic Funding for Arts Education
June 30, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 10 of a series Decision Time!
June 22, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 9 of a series Three Perspectives on Block Scheduling
June 13, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 8 of a series Two Options for Four-Period Block Scheduling
June 06, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 7 of a series Block Scheduling and the Music Student
May 30, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 6 of a series Rotating Schedules
May 18, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 5 of a series Two Options for 7-Period Scheduling
May 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 4 of a series Scheduling Myths & the Grades 9-10 "Bottleneck"
April 27, 2006
Focus on Issues & Decision Making: Educational Reform movement: Part 3 of a series Scheduling & The Traditional Six-Day Period
April 19, 2006
Focus on Issues & Decision Making: Educational Reform: Part 2 of a series Scheduling
April 12, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 1 of a series An Overview & Some Advice
April 04, 2006
FOCUS ON BUDGET: Actual FTE Value & Individual Student Load
March 27, 2006
PUBLIC OPINION SURVEYS: A Slippery Slope
March 15, 2006
Music Advocacy 101: Do YOU Have "The Right Stuff"?
March 01, 2006
Focus on Issues & Decision Making: Who Really Calls The Shots?
February 16, 2006
Focus on Budget: FTE and The Danger of Using Averages
February 07, 2006
Focus on Budget: Identifying Potential & "Hidden" Music Budget Cuts
January 24, 2006
Focus on Issues & Decision Making: Music - Curricular, Co-curricular or Extra-curricular?
January 10, 2006
Focus on Budget: FTE and the Staffing Ratio
January 04, 2006
Focus on Students: Advocacy and the Music Student
December 27, 2005
Focus on Budget: How to Develop & Use Impact Statements
December 20, 2005
FOCUS ON ISSUES & DECISION-MAKING: Central and Site-based Management
December 05, 2005
Focus on Budget: How "Average" FTE Value Creates Budget Problems
November 28, 2005
Focus on Coalition Building: The Public School Music Participation Survey
November 21, 2005
Focus on Coalition Building: 8 Strategic Errors in Music Advocacy & How to Correct Them
November 14, 2005
Focus on Issues & Decision Making: Is My Music Program Vulnerable to Cuts?
November 07, 2005
Focus on Budget: FTE & Staffing
October 31, 2005
FOCUS ON STUDENTS: Putting Students First
October 10, 2005
Decision Making: The Politics of Process
October 04, 2005
SCHOOL BUDGET PRIMER: UNDERSTANDING "FTE"
March 23, 2005
Decisions: Adult or Student-centered?
March 23, 2005
Decisions: Adult or Student-centered?


April 4, 2006

FOCUS ON BUDGET: Actual FTE Value & Individual Student Load

In previous articles in this FTE series, you’ve seen how the student load of an individual teacher or group of teachers is used to determine staffing needs. And, you’ve come to understand the problems that arise from relying completely on the use of average FTE values during the budget development process.

This time, we’ll look at how actual FTE Value relates to an individual teacher’s student load. You’ll see, once again, why it’s so important to use accurate, real numbers when analyzing what’s needed for your school’s music programs. Your district officials may be surprised to discover that your music program is a financial asset!

What is Actual FTE Value?

The actual FTE value of each individual teacher is based upon the actual student load (or the actual number of students taught) of that instructor. Some teachers will have smaller loads than average; others larger. This often depends on the type of class being offered. For example, an advanced calculus class may have only 15 students, while a typical music performance class may have 50 or more.

Actual FTE value is key to determining the economic viability of your school’s music program. It is similar to the concept of the average FTE Value, but is distinctly different because it’s based on real numbers, not estimates or projections. The actual FTE value of an individual teacher is rarely (if ever) average. 

How is FTE Value Determined?

Your district first calculates the average student load based upon the total number of students divided by the total number of teachers, or the average class size multiplied by the number of classes taught. For example, if the average class size is determined to be 25 and each 1.0 FTE instructor teaches 5 classes, the average student load is determined to be 125.

But, consider the example of Mr. Wong, a typical (1.0 FTE = 5 classes) secondary music teacher, with an actual student load as demonstrated below.

Band #1      50 students    .2 FTE
Band #2      50 students    .2 FTE
Band #3`     50 students    .2 FTE
Jazz Band    25 students    .2 FTE
Lessons/ensembles(non-load)    .2 FTE
                   175 students    1.0 FTE

Music Teachers Offer Higher FTE Value – and How That Benefits Your District

Several observations may be made when examining Mr. Wong’s student load:

1. Students taking lessons or small ensembles may be non-load bearing. That is, they are normally students who are "pulled out" from the other music or non-music classes who do not receive extra credit for their lessons.
2. Mr. Wong provides instruction for just four – not five – load-bearing classes. However, his student load (175) is 50 students higher than the average teacher’s student load of 125 (5 classes x 25 students).
3. The excess student load of Mr. Wong is equivalent to two classes of the average classroom teacher. This equates to an excess (above average) load of 50 students, or two extra classes and excess value of .4 FTE. Mr. Wong has an FTE Value of 1.4 classroom teachers. Mr. Wong’s higher student load (compared to the average student load of the classroom teacher) translates into a higher FTE value and much greater financial value provided to the district. 
4. While Mr. Wong may have a 1.4 FTE value, he still only receives compensation equivalent to 1.0 FTE. The district uses the .4 FTE savings to fund other areas, primarily teachers with student loads under the average figure.
5. Since music performance teachers normally have a significantly higher FTE value than other classroom teachers, they carry the highest FTE value. This provides several benefits to the district:
a. Justifies any small group or individual lessons provided to secondary students by the music teachers.
b. Justifies the inclusion of any music classes in the curriculum that may be under the normal minimum number of students required for a class.
c. Justifies the financial costs for an equivalent number of elementary music performance personnel.
d. Assists the district is maintaining smaller class sizes in other academic areas of the curriculum.

As more than one superintendent has commented, "We are able to justify – and maintain – smaller classes in other academic areas because of the large classes in music. You don't save any money by cutting your music program."

Assuming your district does not have a Music Coordinator, the best advice I can give your music coalition is to have a  Statistics and Finance Committee  :  The Local Music Coalition  that annually collects the kind of data requested on the  Music Participation Survey .

Once the above survey data is collected, your committee should do the following:

1) Determine the actual FTE load of each music teacher;
2) Determine the average FTE value of all music performance teachers combined (Band, Choir, Orchestra);
3) Compare the average FTE value of the music performance teachers to the average FTE figure used by your district.

My prediction? Your music program may actually be the most cost effective program in the entire district!

Until Next Time,

John Benham




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