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May 01, 2008
FOCUS ON BUDGET: Reverse Economics – Developing a Fiscal Case for Your Music Program (Part 2 of 2)
April 02, 2008
FOCUS ON BUDGET: Reverse Economics - Developing a Fiscal Case for Your Music Program (Part 1 of 2)
March 01, 2008
Focus on Issues & Decision-making: Educational Reform Movements - Tax Vouchers and Their Impact on Music Education Programs
February 01, 2008
ARTS ADVOCACY LESSONS FROM THE 2008 IOWA PRESIDENTIAL CAUCUS: #1 Take-Away ñ Let the Candidates Hear From You!
January 03, 2008
FOCUS ON STUDENTS: NJ Arts Education Census Project Offers Model for Other States
December 01, 2007
FOCUS ON COALITION BUILDING: Advocate for Music Education
October 30, 2007
FOCUS ON ISSUES & DECISION MAKING: Music Education Research 101, Part II
September 17, 2007
FOCUS ON ISSUES & DECISION MAKING: Music Education Research 101, Part 1
August 07, 2007
FOCUS ON ISSUES AND DECISIONMAKING: Do Your Elected Officials View Music Education as a National Priority?
July 13, 2007
FOCUS ON COALITION BUILDING: American Symphony Orchestra League Launches Historic Statement of Common Cause to Support In-School Music Education
June 03, 2007
FOCUS ON STUDENTS: Music & Arts Education is Essential to Development of Creative Economy & 21st Century Skills
June 03, 2007
FOCUS ON STUDENTS: Music & Arts Education is Essential to Development of Creative Economy & 21st Century Skills
May 03, 2007
FOCUS ON COALITION BUILDING: Think Globally, Act Locally ñ and Why Reading This is NOT an Advocacy Action
March 21, 2007
FOFCUS ON BUDGET: FTE and the Staffing Ratio, Part 2 ñ The Music Teacher
February 21, 2007
FOCUS ON COALITION BUILDING: From Anytown, USA to Washington, DC . . . All Music Advocacy Is Local
January 17, 2007
FOCUS ON COALITION BUILDING: How to Create School Board Support for Music Programs
December 15, 2006
FOCUS ON STUDENTS: Why Music Technology Enhances Student Success
November 16, 2006
FOCUS ON COALITION BUILDING: These Parents Made A Difference ñ You Can Too!
October 18, 2006
FOCUS ON STUDENTS: The Study Hall Game
September 27, 2006
FOCUS ON ISSUES & DECISION MAKING: The Music Administrator, Part 2 of 2
September 20, 2006
FOCUS ON ISSUES & DECISION MAKING: The Music Administrator, Part 1 of 2
September 08, 2006
Back-To-School Primer: The Local Music Coalition
August 30, 2006
Focus on Budget: FTE ñ A Case Study on Teacher Seniority & The Fallacy of Average
August 24, 2006
Focus on Issues & Decision Making:Educational Reform Movements: Middle Schools, Part 3 of 3
August 15, 2006
Focus on Issues & Decision Making:Educational Reform Movements: Middle Schools, Part 2 of 3
August 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Middle Schools, Part 1 of 3
August 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Middle Schools, Part 1 of 3
August 01, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Trimester System and Year-Round Schools
July 18, 2006
NEWS FLASH!! CA Advocates Secure Historic Funding for Arts Education
June 30, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 10 of a series Decision Time!
June 22, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 9 of a series Three Perspectives on Block Scheduling
June 13, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 8 of a series Two Options for Four-Period Block Scheduling
June 06, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 7 of a series Block Scheduling and the Music Student
May 30, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 6 of a series Rotating Schedules
May 18, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 5 of a series Two Options for 7-Period Scheduling
May 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 4 of a series Scheduling Myths & the Grades 9-10 "Bottleneck"
April 27, 2006
Focus on Issues & Decision Making: Educational Reform movement: Part 3 of a series Scheduling & The Traditional Six-Day Period
April 19, 2006
Focus on Issues & Decision Making: Educational Reform: Part 2 of a series Scheduling
April 12, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 1 of a series An Overview & Some Advice
April 04, 2006
FOCUS ON BUDGET: Actual FTE Value & Individual Student Load
March 27, 2006
PUBLIC OPINION SURVEYS: A Slippery Slope
March 15, 2006
Music Advocacy 101: Do YOU Have "The Right Stuff"?
March 01, 2006
Focus on Issues & Decision Making: Who Really Calls The Shots?
February 16, 2006
Focus on Budget: FTE and The Danger of Using Averages
February 07, 2006
Focus on Budget: Identifying Potential & "Hidden" Music Budget Cuts
January 24, 2006
Focus on Issues & Decision Making: Music - Curricular, Co-curricular or Extra-curricular?
January 10, 2006
Focus on Budget: FTE and the Staffing Ratio
January 04, 2006
Focus on Students: Advocacy and the Music Student
December 27, 2005
Focus on Budget: How to Develop & Use Impact Statements
December 20, 2005
FOCUS ON ISSUES & DECISION-MAKING: Central and Site-based Management
December 05, 2005
Focus on Budget: How "Average" FTE Value Creates Budget Problems
November 28, 2005
Focus on Coalition Building: The Public School Music Participation Survey
November 21, 2005
Focus on Coalition Building: 8 Strategic Errors in Music Advocacy & How to Correct Them
November 14, 2005
Focus on Issues & Decision Making: Is My Music Program Vulnerable to Cuts?
November 07, 2005
Focus on Budget: FTE & Staffing
October 31, 2005
FOCUS ON STUDENTS: Putting Students First
October 10, 2005
Decision Making: The Politics of Process
October 04, 2005
SCHOOL BUDGET PRIMER: UNDERSTANDING "FTE"
March 23, 2005
Decisions: Adult or Student-centered?
March 23, 2005
Decisions: Adult or Student-centered?

August 8, 2006

Educational Reform Movements: Middle Schools, Part 1 of 3

For several decades now, I have watched school districts switch from junior high to middle school configurations, and back again, in cyclical patterns that have sometimes led me to question the motivation of the decision-making process. It is not my intent in this three-part series to evaluate the middle school movement. Rather, I’ll reveal some of the secondary motivations for these changes and present the issues that may have positive or negative impact on the ability of all students to make music.

Basically, the middle school movement is concerned with students from ages 10-15 who are in various stages of physical, emotional, sociological and intellectual development that coincide with adolescence. One of the primary motivations for having a middle school is to emphasize a process, a support system and a curriculum focused on student-centered decision-making.

Common themes in the middle school movement include the following:

Teaching Teams

  • Teaching teams are developed, usually within the perceived "core" subjects.
  • Teaching teams have a common planning time, often equivalent to two class periods per day. Non-core teachers often teach six (out of seven) classes per day, compared to only five per day for the "core" subjects.
  • The teaching team moves with each student cohort as they progress through the middle schools grades.
  • Normally these teaching teams do NOT include the arts.

Environment of Learning

  • Improving students’ social skills with interaction and long-term support from teaching teams.
  • Specialized instruction and certification of teachers to provide insight into student behavior, learning styles and development.
  • Reduced class size to increase learning and interaction (maximum of 120 students per teaching team).

Integrated Curricula

  • Teachers develop an integrated curriculum for the subjects that are included in the teaching team.
  • Common planning is intended to provide for the development of challenging content while providing maximum interest.
  • The emphasis is on assessment and advising, not just grading, with the aim of developing students’ critical thinking skills.

The Exploratory "Wheel"

  • Exploration of a broad range of subjects in shortened courses.
  • Reduced class sizes in exploratory courses.
  • Enables hiring of part-time teachers who don’t qualify for benefits, a potentially significant cost savings.
  • Non-essential (non-"core") courses may be moved to the "wheel," or only scheduled on an alternate day basis (e.g., music may alternate with physical education, instrumental music may alternate with vocal music).

For more information on middle school philosophy go to the National Middle School Association website at: www.nmsa.org.

Secondary Motivations

Despite these intended advantages, in visiting many school districts over the past years as a music advocate, I’ve often realized the movement to a middle school grade alignment may have little or nothing to do with these middle school philosophies. Two main issues surface as secondary issues: overcrowding and availability of space, and a financial crisis.

A Solution to Overcrowding

The most significant of these secondary motivations relates to the use of space (facilities, or housing of students) and the distribution of the student population. I have yet to witness a situation in which space usage was not a major player in the process of adopting a middle school "concept."

What typically happens is that a school system that is overcrowded in a certain area of the district, or at a certain level of instruction, needs to move students to other schools in the district that have space. To avoid the most volatile of all school issues (boundary changes), the district proposes a change from junior high to "middle schools," while adopting few changes in the way it actually delivers education. A good indication of this is the movement of lower grades (five and/or six) into the former junior high school, while maintaining the previous system of instruction for those grades. Nothing really changes except grade five and/or six students attend classes in a different school building.

Relieving Financial Constraints

A financial crisis, either real or perceived, may accompany this movement of students. The district may make significant changes that are perceived to resolve a financial crisis. This may involve the elimination or reduction of various aspects of the music curriculum. It may also be used as a means of resolving other issues in the district, such as the elimination of elementary "pull-out" classes.

In Part 2, I'll share some of my experiences about how these secondary motivations result in positive and negative impacts on the music program.

In Part 3, we'll look at a specific case study of a district that successfully implemented the middle school concept.

Until then,

John Benham



Organizations:

Artists:

Scott Brady

Nathan East

The Goo Goo Dolls

Lorin Hollander

Bob James

Carolyn Dawn Johnson

Harvey Mason

Bob McGrath

Chris Pierce

Nate Sallie

Take 6

Will Turpin of Collective Soul


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