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May 01, 2008
FOCUS ON BUDGET: Reverse Economics – Developing a Fiscal Case for Your Music Program (Part 2 of 2)
April 02, 2008
FOCUS ON BUDGET: Reverse Economics - Developing a Fiscal Case for Your Music Program (Part 1 of 2)
March 01, 2008
Focus on Issues & Decision-making: Educational Reform Movements - Tax Vouchers and Their Impact on Music Education Programs
February 01, 2008
ARTS ADVOCACY LESSONS FROM THE 2008 IOWA PRESIDENTIAL CAUCUS: #1 Take-Away ñ Let the Candidates Hear From You!
January 03, 2008
FOCUS ON STUDENTS: NJ Arts Education Census Project Offers Model for Other States
December 01, 2007
FOCUS ON COALITION BUILDING: Advocate for Music Education
October 30, 2007
FOCUS ON ISSUES & DECISION MAKING: Music Education Research 101, Part II
September 17, 2007
FOCUS ON ISSUES & DECISION MAKING: Music Education Research 101, Part 1
August 07, 2007
FOCUS ON ISSUES AND DECISIONMAKING: Do Your Elected Officials View Music Education as a National Priority?
July 13, 2007
FOCUS ON COALITION BUILDING: American Symphony Orchestra League Launches Historic Statement of Common Cause to Support In-School Music Education
June 03, 2007
FOCUS ON STUDENTS: Music & Arts Education is Essential to Development of Creative Economy & 21st Century Skills
June 03, 2007
FOCUS ON STUDENTS: Music & Arts Education is Essential to Development of Creative Economy & 21st Century Skills
May 03, 2007
FOCUS ON COALITION BUILDING: Think Globally, Act Locally ñ and Why Reading This is NOT an Advocacy Action
March 21, 2007
FOFCUS ON BUDGET: FTE and the Staffing Ratio, Part 2 ñ The Music Teacher
February 21, 2007
FOCUS ON COALITION BUILDING: From Anytown, USA to Washington, DC . . . All Music Advocacy Is Local
January 17, 2007
FOCUS ON COALITION BUILDING: How to Create School Board Support for Music Programs
December 15, 2006
FOCUS ON STUDENTS: Why Music Technology Enhances Student Success
November 16, 2006
FOCUS ON COALITION BUILDING: These Parents Made A Difference ñ You Can Too!
October 18, 2006
FOCUS ON STUDENTS: The Study Hall Game
September 27, 2006
FOCUS ON ISSUES & DECISION MAKING: The Music Administrator, Part 2 of 2
September 20, 2006
FOCUS ON ISSUES & DECISION MAKING: The Music Administrator, Part 1 of 2
September 08, 2006
Back-To-School Primer: The Local Music Coalition
August 30, 2006
Focus on Budget: FTE ñ A Case Study on Teacher Seniority & The Fallacy of Average
August 24, 2006
Focus on Issues & Decision Making:Educational Reform Movements: Middle Schools, Part 3 of 3
August 15, 2006
Focus on Issues & Decision Making:Educational Reform Movements: Middle Schools, Part 2 of 3
August 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Middle Schools, Part 1 of 3
August 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Middle Schools, Part 1 of 3
August 01, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Trimester System and Year-Round Schools
July 18, 2006
NEWS FLASH!! CA Advocates Secure Historic Funding for Arts Education
June 30, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 10 of a series Decision Time!
June 22, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 9 of a series Three Perspectives on Block Scheduling
June 13, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 8 of a series Two Options for Four-Period Block Scheduling
June 06, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 7 of a series Block Scheduling and the Music Student
May 30, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 6 of a series Rotating Schedules
May 18, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 5 of a series Two Options for 7-Period Scheduling
May 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 4 of a series Scheduling Myths & the Grades 9-10 "Bottleneck"
April 27, 2006
Focus on Issues & Decision Making: Educational Reform movement: Part 3 of a series Scheduling & The Traditional Six-Day Period
April 19, 2006
Focus on Issues & Decision Making: Educational Reform: Part 2 of a series Scheduling
April 12, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 1 of a series An Overview & Some Advice
April 04, 2006
FOCUS ON BUDGET: Actual FTE Value & Individual Student Load
March 27, 2006
PUBLIC OPINION SURVEYS: A Slippery Slope
March 15, 2006
Music Advocacy 101: Do YOU Have "The Right Stuff"?
March 01, 2006
Focus on Issues & Decision Making: Who Really Calls The Shots?
February 16, 2006
Focus on Budget: FTE and The Danger of Using Averages
February 07, 2006
Focus on Budget: Identifying Potential & "Hidden" Music Budget Cuts
January 24, 2006
Focus on Issues & Decision Making: Music - Curricular, Co-curricular or Extra-curricular?
January 10, 2006
Focus on Budget: FTE and the Staffing Ratio
January 04, 2006
Focus on Students: Advocacy and the Music Student
December 27, 2005
Focus on Budget: How to Develop & Use Impact Statements
December 20, 2005
FOCUS ON ISSUES & DECISION-MAKING: Central and Site-based Management
December 05, 2005
Focus on Budget: How "Average" FTE Value Creates Budget Problems
November 28, 2005
Focus on Coalition Building: The Public School Music Participation Survey
November 21, 2005
Focus on Coalition Building: 8 Strategic Errors in Music Advocacy & How to Correct Them
November 14, 2005
Focus on Issues & Decision Making: Is My Music Program Vulnerable to Cuts?
November 07, 2005
Focus on Budget: FTE & Staffing
October 31, 2005
FOCUS ON STUDENTS: Putting Students First
October 10, 2005
Decision Making: The Politics of Process
October 04, 2005
SCHOOL BUDGET PRIMER: UNDERSTANDING "FTE"
March 23, 2005
Decisions: Adult or Student-centered?
March 23, 2005
Decisions: Adult or Student-centered?

June 3, 2007

FOCUS ON STUDENTS:
Music & Arts Education is Essential to Development of Creative Economy & 21st Century Skills

There is a great deal of concern and debate regarding America’s continued leadership and competitiveness in an increasingly flat global marketplace. In today's post-industrial economy, a high premium is placed on math and science skills. Boards of education around the country are attempting to respond with more rigorous graduation requirements focused on achievement in the math and science curricula.

This approach, often at the expense of music, art, dance, and drama studies, unfortunately overlooks the critical linkage between the creative arts and the application of creativity in the workplace.

I absolutely endorse and support more effective learning in the areas of math and science whether through additional coursework or improvements to the current curricula. The most attractive opportunities for today's graduates will be as knowledge workers, where math and science skills are “jacks or better.” They get you in the game. Further, we as a nation must develop new generations with these skills to maintain our competitiveness in the global marketplace.

Workers of the Future Need More Than Calculators & Microscopes

While math and science skills are fundamental to 21st Century business, the success factors for any individual or organization are far greater. Arguably one of the great success stories of the tech sector, Microsoft®, has built a “competency wheel” that defines 37 workplace skills that the corporation values.

Only three of these competencies are related to technology, a dramatic illustration that math and science skills alone are not enough.

Students must also learn teamwork, organization, time management, group problem solving, and leadership, but where and how do they acquire such important but intangible skills? Most people recognize team sports as one source for the experiences that build those competencies. Another is participation in collaborative fine arts such as band, drama, chorus, dance and orchestra. In a 1995 article in the Chicago Music Alliance newsletter, management expert Peter Drucker is quoted as saying, “your student orchestras and bands are ... teaching your students to be valued performers in the organizations of the future.”

Creativity 101: How to Succeed in Business

The fine arts carry additional developmental benefits. Whether it’s music or dance notation, sculpture or painting, or translation of written word to emotion and action, all fine arts experience is built on conversion of the abstract into reality. This is Creativity 101 as taught in no other academic setting. According to Grant Venerable, Vice President for Academic Affairs, Lincoln University, in Teaching Music, April 1997 “the very best engineers and technical designers in the Silicon Valley industry are, nearly without exception, practicing musicians.” 

The positive correlation between possessing an arts education and achievement in the workplace isn't proven conclusively, but there's mounting data to suggest it. One article, published in The Dallas Morning News, March 15, 2006, quotes two renowned educators. Merlin Donald, chair of Case Western Reserve University's department of cognitive sciences in Cleveland says, “there’s clearly a link between math and music in the literature on aptitude testing. People with high aptitude in mathematics are more likely to have aptitude in musical areas." Donald also says that scientists suspect there are similarities in the way brains are organized among people with musical and mathematical abilities. Antonio Garcia, director of jazz studies at Virginia Commonwealth University, teaches a course on careers for music majors and encourages musicians to consider computer-related careers. "A musician's right brain is focusing on creative thoughts, such as creating great melodies and conveying emotion," says Garcia in the same article. "At the same time, his or her left brain is focusing on the mathematical structures of music. A tremendous amount of math is involved in making music."

Music Education Plays Important Role in Dropout Prevention

A study of 11th and 12th grade students in 2000-2003 published by the University of British Columbia concluded that “...the time dedicated to music participation does not impede, but rather goes hand in hand with or even fosters academic excellence in other “core” subjects.”

And, a 1992 Florida Dept of Education study of at-risk students, “The Role of the Fine and Performing Arts in High School Dropout Prevention,” found that 75% said their participation in the arts influenced their decision to graduate from high school.

More and more research is showing that fine arts studies make good students better and motivate less successful students to stay the course.

Performing Outside the Box

On a personal note, I have made a career doing things that weren't even invented when I graduated from high school 40 years ago. It will be the same for today's graduates, only on a sharply accelerating timeline. Much of what I learned in the classroom is obsolete or, at best, only marginally useful.

What has made a difference in my life has been the ability to learn as I go, to adapt to new ideas, to have the courage to take risks, and to feel confident I will be able to perform and successfully meet the challenges of new situations. These skills I learned through participation in band and drama.


-- Fred Behning retired from IBM Corporation after a 32-year career that included assignments in systems engineering, product development, management, and customer technology briefings, and is still an IBM consultant. A life-long musician, Fred plays oboe and English horn in the Williamson County Symphony Orchestra and the Austin Symphonic Band. 



Organizations:

Artists:

Scott Brady

Nathan East

The Goo Goo Dolls

Lorin Hollander

Bob James

Carolyn Dawn Johnson

Harvey Mason

Bob McGrath

Chris Pierce

Nate Sallie

Take 6

Will Turpin of Collective Soul


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