WWW WWW.SUPPORTMUSIC.COM

Download the NEW SupportMusic Glossary

March 01, 2010
FOCUS ON ADVOCACY: Building Parental Support For Music Education
February 01, 2010
Advocacy for Arts Education Begins at Home
January 01, 2010
A Case for Middle School Arts
December 01, 2009
FOCUS ON ADVOCACY: When Is A Loss A Loss?
November 01, 2009
FOCUS ON ADVOCACY: Solid Advocacy Groundwork Saves Two School Music Programs in Nevada School District
October 01, 2009
FOCUS ON ADVOCACY: Three-Step Action Plan to Make ‘Music Education For All Students’ a Goal in Your School District
September 01, 2009
FOCUS ON COALITION-BUILDING: Back-to-School Inspiration: Elementary String Program Saved!
August 01, 2009
FOCUS ON STUDENTS: Award-winning Student Essays Highlight the Unifying Powers of Music
July 02, 2009
FOCUS ON STUDENTS: Music Education Advocacy for the Digital Generation
June 01, 2009
FOCUS ON ADVOCACY: Keeping Your Momentum, Even in Troubled Times
May 01, 2009
FOCUS ON ADVOCACY: Are YOU Ready to Write a Letter in Support of Music Education?
April 01, 2009
FOCUS ON STUDENTS: Research Study Links Music Making and Music Education with Improved Academic Performance
March 01, 2009
FOCUS ON ADVOCACY: Moving from Survival to Vision
February 02, 2009
FOCUS ON ADVOCACY: NOW MORE THAN EVER…
January 05, 2009
FOCUS ON ADVOCACY: Develop an Annual Report Featuring Your Music Education Program
December 01, 2008
ADVOCACY IN TIMES OF FISCAL CRISIS: Your Local Music Coalition
November 01, 2008
FOCUS ON STUDENTS: Research Study Indicates Teenagers’ Strong Commitment to Music & Music Making
October 01, 2008
FOCUS ON ADVOCACY: The Purpose of Arts Education
August 01, 2008
MUSIC ADVOCACY: Singing Through the Dark Times
July 01, 2008
FOCUS ON STUDENTS: Students Express Why Music is Important to Their Complete Education
June 01, 2008
Reflections on Advocacy as the SupportMusic Coalition Celebrates Five Years
May 01, 2008
FOCUS ON BUDGET: Reverse Economics – Developing a Fiscal Case for Your Music Program (Part 2 of 2)
April 02, 2008
FOCUS ON BUDGET: Reverse Economics - Developing a Fiscal Case for Your Music Program (Part 1 of 2)
March 01, 2008
Focus on Issues & Decision-making: Educational Reform Movements - Tax Vouchers and Their Impact on Music Education Programs
February 01, 2008
ARTS ADVOCACY LESSONS FROM THE 2008 IOWA PRESIDENTIAL CAUCUS: #1 Take-Away ñ Let the Candidates Hear From You!
January 03, 2008
FOCUS ON STUDENTS: NJ Arts Education Census Project Offers Model for Other States
December 01, 2007
FOCUS ON COALITION BUILDING: Advocate for Music Education
October 30, 2007
FOCUS ON ISSUES & DECISION MAKING: Music Education Research 101, Part II
September 17, 2007
FOCUS ON ISSUES & DECISION MAKING: Music Education Research 101, Part 1
August 07, 2007
FOCUS ON ISSUES AND DECISIONMAKING: Do Your Elected Officials View Music Education as a National Priority?
July 13, 2007
FOCUS ON COALITION BUILDING: American Symphony Orchestra League Launches Historic Statement of Common Cause to Support In-School Music Education
June 03, 2007
FOCUS ON STUDENTS: Music & Arts Education is Essential to Development of Creative Economy & 21st Century Skills
June 03, 2007
FOCUS ON STUDENTS: Music & Arts Education is Essential to Development of Creative Economy & 21st Century Skills
May 03, 2007
FOCUS ON COALITION BUILDING: Think Globally, Act Locally ñ and Why Reading This is NOT an Advocacy Action
March 21, 2007
FOFCUS ON BUDGET: FTE and the Staffing Ratio, Part 2 ñ The Music Teacher
February 21, 2007
FOCUS ON COALITION BUILDING: From Anytown, USA to Washington, DC . . . All Music Advocacy Is Local
January 17, 2007
FOCUS ON COALITION BUILDING: How to Create School Board Support for Music Programs
January 07, 2007
FOCUS ON COALITION BUILDING: How to Create School Board Support for Music Programs
December 15, 2006
FOCUS ON STUDENTS: Why Music Technology Enhances Student Success
November 16, 2006
FOCUS ON COALITION BUILDING: These Parents Made A Difference ñ You Can Too!
October 18, 2006
FOCUS ON STUDENTS: The Study Hall Game
September 27, 2006
FOCUS ON ISSUES & DECISION MAKING: The Music Administrator, Part 2 of 2
September 20, 2006
FOCUS ON ISSUES & DECISION MAKING: The Music Administrator, Part 1 of 2
September 08, 2006
Back-To-School Primer: The Local Music Coalition
August 30, 2006
Focus on Budget: FTE ñ A Case Study on Teacher Seniority & The Fallacy of Average
August 24, 2006
Focus on Issues & Decision Making:Educational Reform Movements: Middle Schools, Part 3 of 3
August 15, 2006
Focus on Issues & Decision Making:Educational Reform Movements: Middle Schools, Part 2 of 3
August 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Middle Schools, Part 1 of 3
August 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Middle Schools, Part 1 of 3
August 01, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Trimester System and Year-Round Schools
July 18, 2006
NEWS FLASH!! CA Advocates Secure Historic Funding for Arts Education
June 30, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 10 of a series Decision Time!
June 22, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 9 of a series Three Perspectives on Block Scheduling
June 18, 2006
NEWS FLASH!! CA Advocates Secure Historic Funding for Arts Education
June 13, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 8 of a series Two Options for Four-Period Block Scheduling
June 06, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 7 of a series Block Scheduling and the Music Student
May 30, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 6 of a series Rotating Schedules
May 18, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 5 of a series Two Options for 7-Period Scheduling
May 08, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 4 of a series Scheduling Myths & the Grades 9-10 "Bottleneck"
April 27, 2006
Focus on Issues & Decision Making: Educational Reform movement: Part 3 of a series Scheduling & The Traditional Six-Day Period
April 19, 2006
Focus on Issues & Decision Making: Educational Reform: Part 2 of a series Scheduling
April 12, 2006
Focus on Issues & Decision Making: Educational Reform Movements: Part 1 of a series An Overview & Some Advice
April 04, 2006
FOCUS ON BUDGET: Actual FTE Value & Individual Student Load
March 27, 2006
PUBLIC OPINION SURVEYS: A Slippery Slope
March 15, 2006
Music Advocacy 101: Do YOU Have "The Right Stuff"?
March 01, 2006
Focus on Issues & Decision Making: Who Really Calls The Shots?
February 16, 2006
Focus on Budget: FTE and The Danger of Using Averages
February 07, 2006
Focus on Budget: Identifying Potential & "Hidden" Music Budget Cuts
January 24, 2006
Focus on Issues & Decision Making: Music - Curricular, Co-curricular or Extra-curricular?
January 10, 2006
Focus on Budget: FTE and the Staffing Ratio
January 04, 2006
Focus on Students: Advocacy and the Music Student
December 27, 2005
Focus on Budget: How to Develop & Use Impact Statements
December 20, 2005
FOCUS ON ISSUES & DECISION-MAKING: Central and Site-based Management
December 05, 2005
Focus on Budget: How "Average" FTE Value Creates Budget Problems
November 28, 2005
Focus on Coalition Building: The Public School Music Participation Survey
November 21, 2005
Focus on Coalition Building: 8 Strategic Errors in Music Advocacy & How to Correct Them
November 14, 2005
Focus on Issues & Decision Making: Is My Music Program Vulnerable to Cuts?
November 07, 2005
Focus on Budget: FTE & Staffing
October 31, 2005
FOCUS ON STUDENTS: Putting Students First
October 10, 2005
Decision Making: The Politics of Process
October 04, 2005
SCHOOL BUDGET PRIMER: UNDERSTANDING "FTE"
September 09, 2005
Back-To-School Primer: Creating a Local Music Coalition
August 12, 2005
The Public School Music Participation Survey
August 01, 2005
The Right Stuff?
July 19, 2005
Advocacy and the Music Student
June 29, 2005
The Danger of Public Opinion Surveys
June 22, 2005
Music: Curricular, Co-curricular, or Extra-curricular? (Part II)
June 16, 2005
Music: Curricular, Co-curricular, or Extra-curricular? (Part I)
June 09, 2005
Developing Impact Statements
May 25, 2005
News Flash: The Crisis in Minnesota
May 12, 2005
Identifying Potential Music Cuts-Part II: "Hidden" Cuts
May 12, 2005
Identifying Potential Music Cuts-Part II: "Hidden" Cuts
April 25, 2005
March 23, 2005
March 23, 2005
Decisions: Adult or Student-centered?
March 23, 2005
Decisions: Adult or Student-centered?
February 23, 2005
Case Study: "Block Schedule ? The Perils"
February 16, 2005
Educational Reform
February 09, 2005
The Public Survey Trap
February 02, 2005
Strategic Errors in Music Advocacy
January 27, 2005
Uncovering the Mystery of the School Budget: Glossary
January 19, 2005
A Glossary of Terms for the Music Advocate: The Art of "Educese."
December 28, 2004
Decision Making: The Politics of Process
December 22, 2004
Decision Makers: Who's really calling the shots?
December 15, 2004
Is My Music Program Vulnerable to Cuts?
December 08, 2004
What is the Single Most Important Isssue in Music Advocacy? YOU!
December 01, 2004
MUSIC ADVOCACY: Caring Enough to Put the Student First

*

*

August 1, 2009

*

FOCUS ON STUDENTS: Award-winning Student Essays Highlight the Unifying Powers of Music

Each year, School Band & Orchestra Magazine holds an essay contest for students from grades 4-12 throughout the United States. The subject of the 9th annual contest was:

 “How Does Music Unite Cultures Within Your School and Community?”

Let the voices of these students be heard by leaders of your education community. Music education will clearly play a vital role in preparing the young leaders of tomorrow to communicate and work cooperatively as they face the challenges and opportunities of the 21st century. Here, ten essay winners describe how music education programs help them to communicate more effectively, create new models of community and build cultural bridges where none seemed to exist.

Students Say: Music Education Helps Resolve Conflicts

In Arts With The Brain in Mind (E. Jensen, Association for Supervision and Curriculum Development, 2001), healthy social development is cited as a key benefit of school music programs: “With music in schools, students to connect better with each other – including greater camaraderie, fewer fights, less racism and reduced use of hurtful sarcasm.” Students themselves notice and agree:

            - I have seen how music can settle differences among people with different cultures. This week I read of an Israeli conductor who united with a Palestinian musician and together formed an orchestra that brings together young Israeli and Arab musicians. This orchestra is an example of how music can unite cultures and make a difference in conflicts throughout the world. (Paola, 12, New Jersey)

            - As an American attending a music high school in the war-torn country of Kosovo . . . music has opened the door to many personal friendships with Kosovars that I will cherish for life. Music has also become a bridge between the local Muslim community and the American Peacekeeping Forces. I remember the first time American soldiers visited our dilapidated school. Curiosity and tension vibrated in the air until Liridon sat down to the piano. As a Kosovar folk song filled the room, the atmosphere dissolved into smiles and applause: we had found a common language. The soldiers came often after that. They invited us to perform on their base and also attended our school concerts. (Allison, 18, North Carolina)

Students Say: Music Education & Collective Music Making Strengthens Relationships

Research shows music education helps motivate kids to stay in school, and develops self-confidence, improves the learning atmosphere, and encourages students to express themselves. It also inspires them to become more open and caring.

            - In my school orchestra, my stand partner is Filipino, and I have a Nepali friend, as well as a Lithuanian and French friend, all of whom I met in orchestra. Cultural barriers melt away, though, when we secretly share a musical language through melodies of Grieg or Mendelssohn.
In essence, music creates a new community with an exciting language and culture. Communication evolves to a new level. (Lilian, 16, Illinois)

             - I have learned about many different cultures socially and musically by being in the band. . . Being in a multi-cultural band we all share a common knowledge of the musical language and the instruments we have chosen to play. Together we unite to learn band music, which is new to all of us. (Gavin, 12, Virginia)

            - In my community….it is very common to see people of different cultures together. I think music plays a part in this. When you discover that you share a common interest with another person, it is a lot easier to connect and be friends with that person. (Steven, 13, Texas)

Students Say: Multi-cultural Music Education Broadens Skills & Perspective

Music is a disciplined human endeavor with intrinsic societal value. Music education helps students develop critical thinking, creative problem solving, teamwork and discipline; they reap additional rewards when that education is also multi-cultural.

            - I live in El Paso, Texas, which, with the adjacent city of Juarez, Mexico, forms one of the largest bi-national metropolitan areas in the world. . . The distinct musical styles of each country have influenced my development as a percussionist tremendously, introducing me to new instruments and techniques. . . My guitar class has played a large role in this, as my teacher is an avid Flamenco guitar player and often discusses the importance of music in various cultures. It is truly fascinating how music has inspired everything from pre-Columbian civilizations to modern-day Mexican cities, stimulating artistic movements and cultural growth. (Timothy, 17, Texas)

Students Say: Music Education Builds Language Skills, Respect & Sense of Belonging

These students’ personal experiences show how music education helps equip them for the global environment in which they will live and work.

            - My little sister was adopted from Bulgaria, and when she first came to America, she did not know English. The first things she learned in English were songs. She would sing them to my family to communicate. Music can not only be used for cross-cultural communication, but it can be used to learn languages when put to words like the ABCs. Listening to music in different languages can also be a good way to relate to people that speak other languages. (Ashleigh, 14, Georgia)

            - In band, I found friendship, respect, and dignity. There is no difference in my color, how I dress, or who I know, there is just our music. We create something together, that we could not do alone. When we work and play together, something happens that is more than just different people playing different parts. My mom calls it synergy, the Pulaski Community calls it pride. . . . . Learning songs from different cultures may motivate us to learn more about the culture and better understand the people. (Alexis, 14, Wisconsin)

            - Sadly, the community where our school is located is plagued by gang violence, racial tension, and economic hardships. The open and welcome atmosphere created by our music program enables students to have a clean, progressive activity to occupy their time as well as create life long friendships. Music gives students a sense of belonging and a vision of unity in our school and community. (Enrique, 17, California)

- I grew up as the stereotypical Asian kid who took piano lessons and performed alone. However, becoming a band geek in 5th grade changed my life because it united me with fellow musicians and gave me true friendship. Now, as the Drum Major of the Andrew Hill Marching Band, I see the value of music in my school and community because music does not discriminate. It serves everyone. . . Our diversity makes us stronger everyday, and no matter what happens in the outside world, music is there to provide an outlet for our emotions. (Jonathan, 17, California)

Now, Advocate for Music Education in Your Community!

Here are a few ways to put these student essays to work to help preserve music education programs:

  1. Send them to your school board members/other elected officials.
  2. Write a Letter to the Editor about the role music education plays in community unification.
  3. Post a link to www.SupportMusic.com on your website & social media (ie, Facebook, Twitter, etc.) to build awareness. 
  4. Use student voices in your district to bolster support for music education.

Read the complete 2009 essays – and get information about the 2010 essay contest (beginning September 1, 2009) – at www.sbomagazine.com 

-- Debra Bresnan is a communications consultant for SupportMusic.com. She produces web content, newsletters and other written materials for businesses, non-profit organizations and individuals. Contact: dbresnan@hvc.rr.com 

 

 

 

 

 

 



Organizations:

Artists:

Scott Brady

Nathan East

The Goo Goo Dolls

Lorin Hollander

Bob James

Carolyn Dawn Johnson

Harvey Mason

Bob McGrath

Chris Pierce

Nate Sallie

Take 6

Will Turpin of Collective Soul


Contact Us